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Cinema

It's the equivalent of assuming all Canadians love maple syrup simply because it's always found wherever the country's flag flutters somewhere.
If, after hearing her speech, you dedicated more of your able body and mind to railing against those thirty words than you did to meaningfully advocating for the safety of particularly vulnerable people, your lack of empathy only highlights how right she was to contrast the cultural impact of "The Arts" and that of televised sports.
In an age of digital media and streaming video, there is some evidence that film festivals generally may be in decline. U.K.-based film festival expert Stephen Follows, who has conducted extensive research on the subject, says that the number of festival worldwide peaked in 2009.
In a VR experience, you are put into a virtual world as someone who physically consumes space. Depending on the content, you can go from an observer to an influencer, where consumption of the virtual space and the content is totally up to you. You can choose what to observe, and follow each movement in multiple angles at your own speed -- you shape your own experience and consume the space and time differently than any other viewer.
Barco Escape, in partnership with Cineplex Entertainment, is hoping to offer viewers a more dynamic movie experience in Canada with panoramic screens. I got the scoop on this new technology and offer thoughts on whether you should try seeing the latest blockbuster flicks with it yourself.
TORONTO -- Cineplex Entertainment is launching a special screening program for people with autism spectrum disorder and their
With our media landscape filled with historical wartime accounts of various heroes and heroines and their respective call
Nothing quite like a good midnight movie. Savvy, cinephilic audiences meet provocative, culty film fare at a time when, as Dick Miller observes in Martin Scorsese's After Hours, "different rules apply." The programming for VIFF's new late-night series, Altered States -- handled by longtime Vancouver journalist and VIFF staffer Curtis Woloschuk -- certainly reflects this observation. And what's striking about the series as a whole, is that the movies featured have much of the sophistication usually spotlighted by VIFF -- they're just cranked up a notch.
2013-08-12-blog_spotlight_on_tiff_v01.jpg This film, Denis Villeneuve's first in English, demonstrates a stirring talent on the rise. The tension, the anxiety, and even the damp cool of the late November air are delivered to us through a heap of well-chosen images, daring shot construction, and carefully-managed set design.
2013-08-12-blog_spotlight_on_tiff_v01.jpg A quick-paced, hard-charging adrenaline ride of a movie, Gravity takes us into the heart of an infinite darkness and then leads us home. As exciting as it is technically virtuosic, it invites us to reconsider the possibilities of the "popcorn movie." Thank god for that.
2013-08-12-blog_spotlight_on_tiff_v01.jpg Despite the utter unlikelihood of the plotting, everything about Enough Said feels lived in and true. Sparkling, light and yet awash in thoughtful insight into the particular challenges of new love in middle age, this was easily my favourite comedy of the festival so far.
2013-08-12-blog_spotlight_on_tiff_v01.jpg Like some psychedelic mash-up of Eyes Wide Shut, The Trial and Naked Lunch, R100 is by turns disgusting, hilarious, and tedious. For the most part the audience must surrender to the demented flow of the thing in order to have any fun.
2013-08-12-blog_spotlight_on_tiff_v01.jpg Kelly Reichardt has made her career on the fringes of the Hollywood system, making complex, austere films on tiny budgets, and building up a reputation for a singular vision. But, with Night Moves, a generic take on the moral questions associated with terrorism, Reichardt's vision feels blinkered.
Today my phone buzzed with the story of a film blogger calling 911 because he was bothered by someone using their cellphone during a screening. It's kind of a funny story to most, I suppose -- one that illustrates just how wrapped up people can get in this odd world. Except I didn't find it funny. At all. On any level. As a guy who spent every day of my working life for eight years trying to keep up with the volume of calls pouring in to 911 -- legitimate calls, each of which carried with it the weight of someone possibly dying -- I find Billington's action offensive.
2013-08-12-blog_spotlight_on_tiff_v01.jpgHi-Ho Mistahey! is not the joyless catalogue of wrongs I feared. For every grievance the film portrays, it offers equal evidence of inspiring First Nations youth working proactively to improve their situation. Still, while It would be nice if the fix for education in Attawapiskat and other reserves were as straightforward as a better building and more money, the solution is very unlikely to be that easy. The engaging movie would have more impact if it recognized more explicitly that securing more government funding for on-reserve schools is just one piece in a much larger, and more complex, puzzle.
2013-08-12-blog_spotlight_on_tiff_v01.jpg A part of me wanted to quit; it seemed pointless. I was only sent out for Native roles and even those were few and far between. Something was wrong with the industry. Growing up, I had almost never seen Native people on television. I was frustrated and angry, but something inside me told me if I wanted to change things, I had to stick with it.
Innocence of Muslims aspired and failed to be a film, which was then dubbed, cut, and turned into a hybrid trailer-clip of a YouTube video. The poor production value, and the ignorance put into the creation of this project are far from worthy of the protests, bloodshed, or lives lost. Despite this, the Iranian government has decided to take a stand against the Academy Awards, for not taking a stand against a YouTube video and is boycotting the awards. This reasoning is untenable, and thus it merits some analysis.
The company: Noah Cowan is the artistic director of TIFF Bell Lightbox, the incredible new facility at King and John Streets
While reliving all of The Godfather's plot twists and turns, a thought had occurred to me: what would the Corleone family players have tweeted? How would they have encapsulated their moments in 140 characters or less? And most importantly, would they have been retweet worthy?