Barco Escape, in partnership with Cineplex Entertainment, is hoping to offer viewers a more dynamic movie experience in Canada with panoramic screens. I got the scoop on this new technology and offer thoughts on whether you should try seeing the latest blockbuster flicks with it yourself.
The best of Culinary Cinema will be curated by the Toronto International Film Festival's (TIFF) Food on Film Series with specialty screenings running from March to the end of June. We talked with the Executive VP of the James Beard Foundation to learn more about the festival.
Directed by Thomas Bertlesen, the film's intense 25-minute journey takes you from idealistic happily-ever-after to anxious, desperate climax. Despite all the space in the desert, the lovers are trapped in their own failed dreams. That is the most realistic part of this movie -- and a fitting end to Shakespeare's most famous tragedy.
Set amidst a modern Mumbai, beautifully capturing the color and energy of the city, The Lunchbox will give audiences something to smile about. Written and directed by Ritesh Batra, the story is peppered with perfectly-timed comedic moments, which balance the melancholy of the lead character. Khan is dashing - think India's answer to Tom Selleck - and a delight to watch in this follow up to his role in last year's Life of Pi. I should also mention the mouth-watering dishes, which will give you a hankering for Indian food from the moment the credits roll.
This film, Denis Villeneuve's first in English, demonstrates a stirring talent on the rise. The tension, the anxiety, and even the damp cool of the late November air are delivered to us through a heap of well-chosen images, daring shot construction, and carefully-managed set design.
A quick-paced, hard-charging adrenaline ride of a movie, Gravity takes us into the heart of an infinite darkness and then leads us home. As exciting as it is technically virtuosic, it invites us to reconsider the possibilities of the "popcorn movie." Thank god for that.
Despite the utter unlikelihood of the plotting, everything about Enough Said feels lived in and true. Sparkling, light and yet awash in thoughtful insight into the particular challenges of new love in middle age, this was easily my favourite comedy of the festival so far.
Like some psychedelic mash-up of Eyes Wide Shut, The Trial and Naked Lunch, R100 is by turns disgusting, hilarious, and tedious. For the most part the audience must surrender to the demented flow of the thing in order to have any fun.
Kelly Reichardt has made her career on the fringes of the Hollywood system, making complex, austere films on tiny budgets, and building up a reputation for a singular vision. But, with Night Moves, a generic take on the moral questions associated with terrorism, Reichardt's vision feels blinkered.
Between long, punishing shots of brutal whippings, lynchings, hangings, and rape, and the pervasive repugnance of the situation more generally, Steve McQueen has mounted the most affecting film about American slavery that has ever been made. But, does that in and of itself recommend it?