Contributor

D. Dominick Lombardi

Artist, art writer and curator

D. Dominick Lombardi is an artist, art writer and curator. He is represented by <a href="http://kimfostergallery.com/d-dominick-lombardi/" target="_hplink">Kim Foster Gallery</a> in Chelsea, New York. Feature articles and reviews of his art have appeared in many publications including <a href="http://media.icompendium.com/ddlombar_sculpturemagazinereview.pdf" target="_hplink">Sculpture magazine</a>, <a href="http://media.icompendium.com/ddlombar_ARTnewsreview.pdf" target="_hplink">ARTnews</a>, <a href="http://www.nytimes.com/1998/01/18/nyregion/art-the-20th-century-two-viewpoints-in-sculpture-and-collage.html?src=pm" target="_hplink">The New York Times</a>, <a href="http://www.timeout.com/newyork/art/apocalyptic-pop" target="_hplink">Time Out New York</a>, <a href="http://www.nyartbeat.com/nyablog/2010/01/tatooed-tokyo-by-dominick-lombardi/" target="_hplink">NY ART BEAT</a>, <a href="http://www.nrgallery.com/media/pdf/original/6cdf1dfac29265f14ddccc8070ae888f.pdf" target="_hplink">The M magazine</a>, Post Road Magazine</em>, <a href="http://www.whitehotmagazine.com/articles/dominick-lombardi-housatonic-museum-art/1974" target="_hplink">WHITEHOT</a> and <a href="http://www.zingmagazine.com/issue20/keller.html" target="_hplink">Zing</a>.<br /> <br /> Lombardi's features and art criticisms have been published in <em><a href="http://www.nytimes.com/1999/05/09/nyregion/art-black-artists-confront-history.html" target="_hplink">The New York Times</a>, <a href="http://www.artslant.com/ny/articles/show/33187" target="_hplink">ARTslant</a>, <a href="http://www.artinasia.kr/content/view/36/34/" target="_hplink">Art in Asia</a> (S. Korea), <a href="http://media.icompendium.com/ddlombar_RepurposingwithaPassion.pdf" target="_hplink">Public Art and Ecology</a> (China), <a href="https://www.artexperiencenyc.com/sinbad-98-paintings-1-room/" target="_hplink">Art Experience NYC</a>, <a href="http://www.sculpture.org/documents/scmag04/dec04/webspecials/wald.shtml" target="_hplink">Sculpture</a>, Sculpture Review, d’ART (U.S. Editor), Art Papers, <a href="http://www.artlies.org/article.php?id=140&amp;issue=42&amp;s=0" target="_hplink">Art Lies</a>, ARTnews, & magazine, Art New England</em> and culturecatch.com among others.
<br /> <br /> As a curator, Lombardi has presented, in a variety of museums and galleries across the U. S. such shows as '<a href="http://www.rauschenberggallery.com/2012/07/eye-on-the-storm/" target="_hplink">Eye on the Storm</a>,' ‘<a href="http://culturecatch.com/art/monkey-spoon" target="_hplink">Monkey Spoon</a>,’ ‘<a href="http://www.artslant.com/ny/events/show/139609-anonymous" target="_hplink">Anonymous</a>,’ ‘<a href="http://www.sica.org/Exhibitions/2010/NatureCalls/Statement.html" target="_hplink">Nature Calls</a>,’ ‘Suspect Reason,’ ‘Fear is a Four Letter Word,’ ‘<a href="http://rogersmitharts.com/thelab/archives/2006/strings.htm" target="_hplink">Speaking in Strings: Ken Butler and Kurt Coble</a>,’ ‘Over the Top - Under the Rug,’ ‘One Night Stand - The Sex Show,’ ‘The Waking Dream,’ ‘The Tradition of Icons,’ and ‘Champions of Modernism: Non-Objective Art of the 1930s & 40s and Its Legacy.’

icon_gotatip_29x28Created with Sketch. Got a tip?

Do you have info to share with HuffPost reporters? Here’s how.