Hulu's adaptation of Zakiya Dalila Harris' book tells the story of two Black female professionals in white corporate America — while maintaining the suspense.
Amid a landscape of comfort television, this sprawling story led by Lakeith Stanfield is anything but soothing.
Boots Riley’s “Sorry to Bother You” follow-up has much of the absurdity and anti-capitalist themes of his earlier work, but it falls apart by the end.
While inconsistent in its latest season, the Netflix anthology series remains at its best when it reflects our complicity in pop culture’s worst obsessions.
HBO Max’s Hollywood satire takes on the often troubling parasocial relationship fans have with celebrities in Season 3.
Rife with opportunities to explore race, class and the problem with the “murdered white woman” syndrome, the show is a hollow bore.
Though the Showtime series finally gets grislier in Season 2, it still struggles to juggle its staggering number of characters and storylines.
And given that this is a Mindy Kaling production, you probably already know what that is.
The Octavia Butler novel is ripe for an on-screen adaptation. But attempts to modernize the story for TV fall flat.
The charming anthology series, now in its second season, explores the question of home through stories inspired by real-life experiences.