100 Books You Should Read Now: An English Professor's List

100 Books You Should Read Now: An English Professor's List
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"We are all refugees from our childhoods. And so we turn, among other things, to stories. To write a story, to read a story, is to be a refugee from the state of refugees," Mohsin Hamid writes in his novel How to Get Filthy Rich in Rising Asia. "Writers and readers seek a solution to the problem that time passes, that those who have gone are gone, and those who will go, which is to say every one of us, will go. For there was a moment when anything was possible. And there will be a moment when nothing is possible. But in between we can create."

I’ve just started my 29th year of teaching literature at UCONN in Storrs, CT. Over the nearly three decades in the classroom, teaching both undergraduates and graduate students, I've developed a long list of novels I consider essential. Friends, especially Facebook friends, often ask for suggestions about what to read next.

Okay, you asked for it.

I decided to take a deep breath and put my reading lists together, limiting my choices by the following factors: 1. I admire this work so much that I've taught it in a course, have notes on it, and believe that it's a terrific accomplishment as a work of literature; 2. These works have all (to my knowledge) been written in English and not translated from other languages (otherwise Madame Bovary would be on there, as well as dozens of others); 2. These books are NOT in any particular order except in my own spiderweb mind, so if you can see the patterns, I'd love to know what you think (can you find the Waldo of my imagination in the sets of five?). The patterns exist, but they are subtle and eccentric.

So here's your reading list, folks. Let me know what books you love and let me know, too, what you think I should have included.

How To Get Filthy Rich in Rising Asia Mohsin Hamid

Vanity Fair William Makepeace Thackeray

Great Expectations Charles Dickens

Far From The Madding Crowd Thomas Hardy

Middlemarch George Eliot

Pride and Prejudice Jane Austen

Prime of Miss Jean Brodie Muriel Spark

Saturday Night and Sunday Morning Alan Sillitoe

Nights at the Circus Angela Carter

The Life and Loves of a She-Devil Fay Weldon

Underworld Don De Lillo

The Death of the Heart Elizabeth Bowen

The Good Soldier Ford Maddox Ford

Go Tell It on the Mountain James Baldwin

Alias Grace Margaret Atwood

Bastard Out of Carolina Dorothy Allison

Frost in May Antonia White

Rebecca Daphne Du Maurier

Cold Comfort Farm Stella Gibbons

Tom Jones Henry Fielding

Pamela Samuel Richardson

Man and Superman by George Bernard Shaw

Dubliners James Joyce

The House on Mango Street Sandra Cisneros

A Child’s Christmas in Wales Dylan Thomas

White Teeth Zadie Smith

Orlando Virginia Woolf

The Odd Women George Gissing

The Garden Party and Other Stories by Katherine Mansfield

The Collected Stories of Flannery O’Connor

The Collected Stories of Dorothy Parker

Gentlemen Prefer Blondes Anita Loos

Babbitt Sinclair Lewis

Three Men In a Boat Jerome K. Jerome

The Heart of Darkness Joseph Conrad

The Scarlet Letter Nathaniel Hawthorne

Robinson Crusoe Daniel Defoe

Fanny Hill John Cleland

BU-tterfield 8 John O’Hara

The House of Mirth Edith Wharton

Beloved Toni Morrison

Jane Eyre Charlotte Bronte

Wuthering Heights Emily Bronte

Frankenstein Mary Shelley

Dracula Bram Stoker

Wolf Hall Hillary Mantel

How the Garcia Girls Lost Their Accents Julia Alvarez

The Country Girls Trilogy Edna O’Brien

The Picture of Dorian Gray Oscar Wilde

She’s Come Undone Wally Lamb

The Haunting of Hill House Shirley Jackson

A Tree Grows in Brooklyn Betty Smith

Their Eyes Were Watching God Zora Neale Hurston

Sister Carrie Theodore Dreiser

The Great Gatsby F. Scott Fitzgerald

1984 George Orwell

Catch 22 Joseph Heller

The Talented Mr. Ripley Patricia Highsmith

A Connecticut Yankee at King Arthur’s Court Mark Twain

The Shipping News Annie Proulx

Asylum Patrick McGrath

The Woman Warrior Maxine Hong Kingston

The Female Quixote Charlotte Lennox

Fried Green Tomatoes at the Whistle Stop Café Fanny Flagg

The Princess Bride William Goldman

The Portrait of a Lady Henry James

The Jungle Upton Sinclair

City Boy Herman Wouk

Red Shift Alan Garner

Gone With The Wind Margaret Mitchell

The Loved One Evelyn Waugh

The House of Sand and Fog Andre Dubus III

My Year of Meats Ruth Ozeki

Election Tom Perrotta

The Three Sisters May Sinclair

McTeague Frank Norris

Peyton Place Grace Metalious

Carrie Stephen King

Porterhouse Blue Tom Sharpe

The Waterfall Margaret Drabble

The Wide Sargasso Sea Jean Rhys

No Country For Old Men Cormac McCarthy

The Godfather Mario Puzo

The Odd Woman Gail Godwin

Olive Kitteridge Elizabeth Strout

Final Payments Mary Gordon

The Maltese Falcon Dashiell Hammett

Property Valerie Martin

Possession A.S. Byatt

The Quiet American Graham Greene

The Bonfire of the Vanities Tom Wolfe

Blue Angel Francine Prose

Small World David Lodge

Lolita Vladimir Nabokov

The Shape of Things to Come H.G. Wells

Howard’s End E.M. Forster

Straight Man Richard Russo

The Ice Storm Rick Moody

Sons and Lovers D.H. Lawrence

The Group Mary McCarthy

# # #

Originally published on PsychologyToday.com.

Gina Barreca (Gina's office)

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