WOMEN

Carry That Weight: The Revival of Feminist Performance Art

NEW YORK, NY - SEPTEMBER 05:  Emma Sulkowicz (L),  a senior visual arts student at Columbia University, carries a mattress, w
NEW YORK, NY - SEPTEMBER 05: Emma Sulkowicz (L), a senior visual arts student at Columbia University, carries a mattress, with the help of three strangers who met her moments before, in protest of the university's lack of action after she reported being raped during her sophomore year on September 5, 2014 in New York City. Sulkowicz has said she is committed to carrying the mattress everywhere she goes until the university expels the rapist or he leaves. The protest is also doubling as her senior thesis project. (Photo by Andrew Burton/Getty Images)

Mattress Performance: Carry That Weight began nearly five weeks ago. Throughout the performance the artist Emma Sulkowicz, a 22 year-old Columbia University senior, will carry a boxy blue mattress everywhere she goes on campus. Weighing in at fifty pounds, the mattress stands in for the mattress on which she was raped by a fellow student. Sulkowicz’s work is profoundly simple: a young woman visually manifests the psychological weight of the crime committed on her body and demands recognition of that burden. Carry That Weight is a purely visual performance, one so piercing it resists language.

Like most performance art, Sulkowicz’s piece has clearly defined parameters, what she terms “rules of engagement.” They are: the performance will last until her rapist has left campus. The mattress will only be carried on campus. She cannot ask for help, but can accept it once it is offered. Once a person helps her carry the mattress, they enter into “the space of performance.” By quite literally bringing the site of the crime (in this case an ostensibly “safe” domestic space) into public sight, Sulkowicz’s performance relocates its subject in between the shifting grounds of public and private, personal and political.

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