CULTURE & ARTS

A Beautiful And Brief Queer History Of The Classical Nude In Art (NSFW)

There are few themes that connect the centuries and centuries of art history like the nude. Sublime landscapes and posed portraits make their fair share of reappearances over the years, shaped by movements from Mannerism to net art. But there's no popular object more prolific as a nude body, popping up in the oeuvres of Rubens to Degas, Jenny Saville to Ryan McGinley.

A new exhibition at Leslie-Lohman Museum of Gay and Lesbian Art is taking a comprehensive look at the ways in which artists, from antiquity to present day, have imagined the naked body. Showcasing over 100 objects of painting, photography, sculpture, video, drawing and print, the show will tackle the nude in typical Leslie-Lohman fashion: by exploring the space between binary definitions of sexuality and gender.

bidgood
James Bidgood, Pan, 1965, C-print, 22 x 22 in., © James Bidgood, Collection of Michael Sodomick.

“For over 2,500 years, we have cohabited with one aesthetic archetype -- by far the longest such relationship in the western canon: the classical nude," exhibition curator Jonathan David Katz explained in a press statement. "Not only is it the longest lasting, most influential visual form for representing the human body up to the present day, but also it has become so powerfully naturalized as merely ‘the nude’ that we have often lost the ability to see it as a specific historical type, with a particular history, geography and canon."

Titled "Classical Nudes and the Making of Queer History," the exhibition is divided into four chronological parts -- the years of Antiquity, the Renaissance, the 18th and 19th centuries, and the movements of modern and contemporary art. Spanning over two millennia, the selection covers not only the evolution of the naked image, but the presentation of same-sex love and homoeroticism too.

While the lines and forms transform drastically over the length of the show, from a 1540 sketch by Michaelangelo to a Zanele Muholi C-print from 2009, rendering the body continues to serve as a means of reflecting the desires and subversions of the times. Sure, the nude spent a good amount of time under the thumb of white, male artists, but more recently women and queer artists -- exploring domesticity, new found independence in the 19th and 20th centuries, and sexual competition -- brought the genre to new heights in the modern age.

"The nude is timeless, because human sexual nature evolved before the stone age and has essentially not changed since –- apart from a few customs," Jonathan Jones wrote for The Guardian last year. You could argue that while customs have only moderately changed, the ways in which societies over time have perceived those customs have changed greatly. This is, as has been the case in many of Leslie-Lohman's shows over the past few years, one way the exhibition seeks to reexamine nude history through a queer lens.

"Classical Nudes and the Making of Queer History" will be on view at the Leslie-Lohman Museum of Gay and Lesbian Art from October 18, 2014 to January 5, 2015.

  • 1498
    Albrecht Durer, The Men’s Bath, ca. 1498, Woodcut, 14.438 x 11.125 in. New York Public Library.
    Albrecht Durer, The Men’s Bath, ca. 1498, Woodcut, 14.438 x 11.125 in. New York Public Library.
  • 1528-1530
    Jacopo Pontormo, Study of a Male, 1528-1530, Red chalk on paper, 14 x 6 in. Collection of Mr. and Mrs. Mark Borghi.
    Jacopo Pontormo, Study of a Male, 1528-1530, Red chalk on paper, 14 x 6 in. Collection of Mr. and Mrs. Mark Borghi.
  • 1540
    Michelangelo Buonarroti, Study of Satyr (The Last Judgement), 1540, Black chalk on paper, 7.25 x 11.75 in. Collection of Mr.
    Michelangelo Buonarroti, Study of Satyr (The Last Judgement), 1540, Black chalk on paper, 7.25 x 11.75 in. Collection of Mr. and Mrs. Mark Borghi.
  • 1848-1851
    Jean Jacques Pradier, Standing Sappho, 1848-1851, Bronze, 33.875 x 14.563 x 13. In. The Dahesh Museum of Art, New York.
    Jean Jacques Pradier, Standing Sappho, 1848-1851, Bronze, 33.875 x 14.563 x 13. In. The Dahesh Museum of Art, New York.
  • 1962
    Ruth Bernhard, Draped Torso, 1962, Selenium-toned silver gelatin print, 12.75 x 8.25 in.  © Ruth Bernhard Estate. Courtesy Pe
    Ruth Bernhard, Draped Torso, 1962, Selenium-toned silver gelatin print, 12.75 x 8.25 in. © Ruth Bernhard Estate. Courtesy Peter Fetterman Gallery, Santa Monica.
  • 1890s
    Florine Stettheimer, Nude Study, Standing with Hands Clasped, late 1890s, Oil on canvas mounted on board, 30 x 18 in. Columbi
    Florine Stettheimer, Nude Study, Standing with Hands Clasped, late 1890s, Oil on canvas mounted on board, 30 x 18 in. Columbia University.
  • 1894
    Jean-Leon Gerome, The Serpent Charmer, 1894, Photogravure, 7.75 x 11.75 in. Museum Purchase.  Collection of Leslie-Lohman Mus
    Jean-Leon Gerome, The Serpent Charmer, 1894, Photogravure, 7.75 x 11.75 in. Museum Purchase. Collection of Leslie-Lohman Museum.
  • N.D. (1876-1930)
    Friedrich O. Wolter, Drei Grazien, n.d., Photograph, 5.5 x 3.5 in. Foundation purchase.  Collection of Leslie-Lohman Museum.
    Friedrich O. Wolter, Drei Grazien, n.d., Photograph, 5.5 x 3.5 in. Foundation purchase. Collection of Leslie-Lohman Museum.
  • 1930s
    Wilhelm von Gloeden, Untitled, ca. 1930s, B/W photograph glued to board. Foundation purchase. Collection of Leslie-Lohman Mus
    Wilhelm von Gloeden, Untitled, ca. 1930s, B/W photograph glued to board. Foundation purchase. Collection of Leslie-Lohman Museum.
  • 1965
    James Bidgood, Pan, 1965, C-print, 22 x 22 in., © James Bidgood, Collection of Michael Sodomick.
    James Bidgood, Pan, 1965, C-print, 22 x 22 in., © James Bidgood, Collection of Michael Sodomick.
  • 1937
    Herbert List, Beneath the Poseidon Temple, 1937, Silver gelatin print, 11.614 x 10.827 in. © Herb Ritts Foundation. Collectio
    Herbert List, Beneath the Poseidon Temple, 1937, Silver gelatin print, 11.614 x 10.827 in. © Herb Ritts Foundation. Collection of William Zewadski.
  • 1992
    Del LaGrace Volcano, The Three Graces (Jasper, Suzie & Gill, London) 1992, Digital c-print, 23.5 x 30 in. © Del LaGrace Volca
    Del LaGrace Volcano, The Three Graces (Jasper, Suzie & Gill, London) 1992, Digital c-print, 23.5 x 30 in. © Del LaGrace Volcano. Foundation Purchase. Collection of Leslie-Lohman Museum.
  • 2009
    Zanele Muholi, Caitlin and I, 2009, C-print, 17.125 x 23.75 (triptych). © Zanele Muholi. Courtesy of Yancey Richardson Galler
    Zanele Muholi, Caitlin and I, 2009, C-print, 17.125 x 23.75 (triptych). © Zanele Muholi. Courtesy of Yancey Richardson Gallery, New York.
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