Cruel Shoes: Finding the Story that Fits You

I worked for about twenty years as a waiter while I wrote a bunch of novels I had no luck selling. One of the toughest parts of being a waiter, especially if you want to be a writer, is that no one really cares what you think about anything, except for the occasional wine recommendation. If you want to write, and share what you have written with other people, you have believe that what you are interested in thinking about and writing about would be interesting to someone else.

When I finally left the restaurant and was hired to write storylines for a video game company, I was so happy find myself in a room with people who seemed very interested in what I thought would or would not make a good story. How nice to be valued for something other than my ability to bring someone their steak dinner in a timely fashion.

The only slight problem was that I wasn’t all that interested in the games or their stories. I considered this a minor problem, however, given how much money they were paying me. In fact, I used some of that money to buy a new pair of dress shoes. These were my power shoes. They were shiny, black, and made a satisfying clip-clop sound as I went from here to there in them.

The only slight problem was that I wasn’t sure if they actually fit. If I stood still they were fine, but if I clip-clopped from here to there my feet seemed to slide around a bit. But only a little bit. And they looked great. And sometimes shoes need to be broken in, especially power shoes made of stiff black leather. So I kept the shoes, and both loved them and feared them: my feet always felt so good when I took them off at the end of a day.

Then the video game company decided they would fly a few of us to New York to meet with a bunch of literary agents. The company had dreams of creating a line of books based on their games. How exciting! They would pay for my flights, my hotel room, all my meals, and I would I get to meet all these agents. Plus, I had just the pair of shoes for such a trip.

For some reason, my comrades decided it would be more practical to walk from agency to agency rather than take cabs. Fine with me, I said. So we started walking, and walking, and walking. By the time we left the third agency, my shoes had become instruments of torture. Every step I took was measured in pain. I stopped thinking about New York, and literary agencies, and games, and money. All I could think about were my poor, abused feet.

My happiest memory of the trip was of sitting on my bed in my hotel room slipping out of those shoes and feeling like myself again. My brother, who lived in New York at the time, came by and we went out for dinner and a few drinks. I was now wearing black sneakers with my dress slacks and blazer and I was very happy. About the same time I left the restaurant, I had gotten very interested in the relationship between spirituality and creativity. That night, I told him about my ideas. I always got very excited when I talked about these ideas.

“Why don’t you just write that stuff instead of all the novels?” he said at the end of the night.

“I can’t do that,” I told him. “No one would be interested in it.”

I was wrong about that, though it would take me a few years to learn just how wrong I was. No matter. The best piece of advice I could ever give another writer is to pay attention to how you feel. All discomfort, however slight, is guidance. Fortunately, it doesn’t matter whether you believe in paying attention to how you feel. That discomfort will grow and grow until you do.

You can learn more about William at

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