Photographer Captures 100 Female Artists In Their Homes And Studios

Photographer Captures 100 Female Artists In Their Homes And Studios
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A great portrait is more than just a frozen reflection of the subject's appearance. It's a chance moment, blanketed in natural light, in which the subject's authentic self is visible in her expression, her stance, her aura. A great portrait blurs the line between a subject and her surroundings, all contributing equally to the overall impression of a singular human being.

Photographer Barbara Yoshida captured not one great portrait, but 100. And to make it all the more glorious, her subjects are all female artists, groundbreaking in their own right.

louise
Louise Bourgeois, 1911-2010. Photographed 28 February 1992. Sculpture, installation art and painting, France © The Easton Foundation/Licensed by VAGA, NY.

Beginning in 1990, the Portland-born photographer began documenting female artists, ranging from well-known art stars to emerging newcomers, those working in feminist performance, biomorphic sculpture, found object assemblage and West African textiles. Yoshida travelled to destinations around the world, from Tunisia to Gambia, entering these women's studios and homes, incorporating their natural habitats into their very essences.

With each woman, Yoshida would engage in conversation with the artist, discussing details and memories of her life and work. She then, using a 4x5 large format camera and black-and-white film, would snap a particular moment of the interaction, a genuine encounter when the artist's spirit comes to the surface for a split second, a spontaneous moment. Whether it's Louise Bourgeois pointing a finger at the camera, her clenched fist coincidentally mimicking the clamped hand of the statue behind her, or Kim Dingle possessively holding one of her "Priss" statues as if it was her own child, each subject is draped in her life's work -- an extension of herself.

Finally, Yoshida always asks for her subjects' permission before publicly releasing the photographs, believing strongly that every woman should have control over which of her images are spread throughout the world. With a process as respectful as it is revealing, Yoshida documents the pioneering, and all too often under-acknowledged, female artists of our generation. Her trusting and intimate portraits document the inner worlds of the art world's greatest female heroines, some of whom are no longer alive today.

Yoshida's "One Hundred Portraits: Women Artists" will be on view from March 3 through March 27, 2015 at the Salena Gallery at LIU Brooklyn, in honor of Women's History Month. See a preview of the exhibition below and stay tuned for (way) more coverage in honor of our favorite month of the year.

Hannah Wilke, 1940-1993
Copyright ©Barbara Yoshida.
Photographed 21 February 1991, Painting, sculpture,photography, videoand performance,U.S.A.
Judy Chicago, b.1939
Copyright ©Barbara Yoshida.
Photographed 6 July 2012, Installation art, painting and sculpture, U.S.A.
Malado Camara Sidibeh
Copyright ©Barbara Yoshida.
Photographed 22 November 2010, Textiles, TheGambia
Lynda Benglis, b. 1941
Copyright ©Barbara Yoshida.
Photographed November 21, 1991, Sculpture and painting, U.S.A.
Colette
Copyright ©Barbara Yoshida.
Photographed 2 March 2013, Performance and multimedia, Tunisia
Kim Dingle, b.1951
Copyright ©Barbara Yoshida.
Photographed 25 August 1994, Painting,installation art,mixed media,U.S.A.
Julie Heffernan, b. 1956
Copyright ©Barbara Yoshida.
Photographed 29 November 2013. Painting, U.S.A.
Elizabeth Murray, 1940-2007
Copyright ©Barbara Yoshida.
Photographed 29 April 1992. Painting,printmaking anddrawing,U.S.A.
Betye Saar, b.1926
Copyright ©Barbara Yoshida.
Photographed 25 August 1995, Installation art andassemblage,U.S.A.
Louise Bourgeois, 1911-2010
Copyright ©Barbara Yoshida.
Photographed 28 February 1992. Sculpture,installation art and painting, France
© The EastonFoundation/Licensed by VAGA, NY.

Before You Go

Alexia Webster presents compelling portraits of women taken in street studios in the Democratic Republic of Congo, South Africa and Madagascar.
Photo caption: Devota Kamaza
Annie Ling takes a painterly approach to sex trafficking in Moldova and Romania while addressing issues of memory.
Photo caption: Tunde’s trafficker, the father of her children, is currently in jail for unrelated crimes.
Giulia Bianchi’s coverage of women who have been ordained as priests but are not recognized by the church takes us into their work with the marginalized of all faiths.
Photo caption: Encounters with Disobedient Priests
Ilana Panich-Linsman’s photographs of child beauty contests contextualize a $5 billion industry.
Photo caption: Emily Dextraze is a 12-year-old beauty pageant competitor who lives in Westfield, Massachusetts
Julie Nyman speaks about her inner life as she puts herself under a microscope for all to see.
Photo caption: Looking through a grain focuser, the observer notices a dancer
Laís Pointes presents phony Facebook profiles of herself and the silly replies elicited by her amusing digital identities.
Photo caption: Shena Born Nowhere
Lara Tabet signifies memory and loss in her self-portraits with women who have lost a male partner or relative.
Photo caption: Penelopes
Nancy Borowick’s very personal project on cancer considers end-of-life issues through an intimate look at her family.
Photo caption: In 2013, my parents were in treatment for cancer
Nona Faustine finds spaces in New York City where the history of slavery becomes tangible, such as the slave-constructed City Hall, which stands on an African burial ground.
Photo caption: And on this spit of land Massa and I reside
Tiana Markova-Gold explores the rights of sex workers and the dangerous conditions in which they work in Macedonia.
Photo caption: Kristina, 22 years old, is the only transgender or male sex worker who works in the street on a regular basis

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