Practically sprung from a Silver Lake wet dream, the eponymous figure in Ray Bradbury’s short story collection The Illustrated Man is covered from neck to waist in hyperrealistic tattoos. In the words of the author, “He was a riot of rockets and fountains and people, in such intricate detail and color that you could hear the voices murmuring small and muted, from the crowds that inhabited his body. When his flesh twitched, the tiny mouths flickered, the tiny green-and-gold eyes winked, the tiny pink hands gestured.”
Over the course of the book, the images spring to life, vividly detailing each sci-fi fable. By creating this living tapestry of ink, Bradbury not only constructs a creative frame to unite his disparate tales but evokes a cultural tradition tracing its roots to another human condition—homosexuality.