Paul Auster: How I Became a Writer

This video not only tells the story of how Paul Auster became a writer. It also reveals how the American writer works. "A good days work is if I have one typed page at the end of the day, two is amazing, three is a miracle."
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This video not only tells the story of how Paul Auster became a writer. It also reveals how the American writer works. "A good days work is if I have one typed page at the end of the day, two is amazing, three is a miracle."

New York novelist, Paul Auster, tells the story about how striking out on an autograph from the legendary baseball player Willie Mays, led him to become a writer.

"After that incident at the age of 7, I always remember to keep a pen in my pocket, because you never know when you might need one".

Auster is vividly known for his use of blurring out the lines between realism and fiction in his writing, drawing on his own experiences. "The job of a writer is to keep his eyes open", Auster says. In this video he reflects on what it means to be a writer and why a good days work sometimes consist of crumbling up the written papers and throwing them into the trash.

"A good days work, is if I have one typed page at the end of the day, two is amazing, three is a miracle."

When Auster was young he wanted to write something beautiful, but as he got older he discovered that, that wasn't what it was all about. "The essence of being an artist is to confront the things you are trying to do, to tackle it head on, and if it is good, it will have its own beauty -- an unpredictable beauty."

Paul Auster (born 1947) is a highly acclaimed American novelist. He has published numerous novels such as the famous 'The New York Trilogy' (1987), 'Moon Palace' (1989), 'Sunset Park' (2010) and the autobiographical books 'Winter Journal' (2012) and 'Report From the Interior' (2013). He lives in Brooklyn, New York with his wife, novelist Siri Hustvedt.

Paul Auster was interviewed by Kasper Bech Dyg in Brooklyn, New York, December 2014.

Camera by: Anders Urmacher
Produced and edited by: Kasper Bech Dyg
Copyright: Louisiana Museum of Modern Art, 2014
Supported by Nordea-fonden

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