Slow Clothing and a Silversmith


On Saturday mornings I ease my right foot from the gas pedal of life and gently begin to apply the brakes. I try to slow down. This morning, I am thinking about the beauty and power of slowness and how it applies to growing Lucia.

Lucia Issue Two : Perfection was released this month and the mysterious woman on our cover is Shelli Markee. She is a silversmith and a deep breath of busy gratitude, clean imperfection, and the slow making of worn magic. A few days ago I received this email from her:

"I'm sitting in this beautiful new clothing shop on Beacon Hill. The owner is an amazing woman. She is taking on my collection for her store. I showed her your journal and she would love to sell it here. Her name is Mia Fioravanti."


The next day, I found myself sitting in a vintage armchair in the spacious, light-filled, on-street studio storefront of Fioravanti. They make slow clothing and just opened a few weeks ago.

Across from me was Mia, the founder and designer, whose silver-blue eyes told me the story of a lifetime of experience, creativity, and vision, without words. Her daughter, Wysdom, sat across from us, the youthful face of a twenty-something design apprentice enmeshed with the presence of an old soul. A stack of Lucia was in my lap and we were discussing the excitement of starting something new and the power of starting something slow.


Mia's father owned a 100-year-old multi-generational woolen mill before it closed in 1968. She grew up watching her mother get dressed in clothing made from fabric her father had produced. Mia and Wysdom's sewing machines, worktables, and reams of fabric take up the back right quarter of their combination studio boutique. Seeing their gorgeous (and affordable) clothing hanging in the front of the store and, with a soft sweep of my eye, gazing at the seat and machine where it was all made filled me with inspiration.

Fioravanti feels like an absolute right place for Lucia to be found. I am proud and honored to have them join our growing little family of stockists.


In a warm display near the back of the store are Shelli's exquisite pieces. Her jewelry evokes a sense of what is essential and unseen. Slight flaws in the hand-forged copper, silver and brass conjure vitality the way freckles bring an Irish face to life.

When we met last summer, Shelli told me both of her grandfathers were blacksmiths but she didn't start this work until she was forty. Now, a decade later, she is creating incredible work and still going slow. She said:

"I want to focus on that eighty-year-old woman. I want to look back on my life and feel happy with the way I've lived instead of thinking, 'I wish I had.'"


I like this slow feeling. The right people seem to be discovering Lucia this way. She is finding her tribe, her home, her circle, her place in the world as she grows. We all are, aren't we?

Go slow, breathe deep, connect sincerely, and they will find you, too.


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