Stream Now Pro Promises Major Advances For Content Producers and Viewers Alike

This article was co-authored by Chris Hadley, who writes for the online web series magazine Snobby Robot, and for the film music magazine Film Score Monthly Online. In addition, he is the writer/creator of the cable news satire/parody THE LATE, LATE NEWS.

While the remarkable critical and commercial success of original (and rebooted) series on popular streaming services like Hulu, Netflix and Amazon Prime continues to grab attention and awards, it remains difficult for independent filmmakers, many of whom are working without the support of major networks and/or studios, to get their product out to consumers through those same networks. In turn, the lack of such independent content on these streaming services also makes it next to impossible for viewers to watch these shows.

We have encountered and covered many new streaming networks that offer indie web series creators ample opportunity to reach their target audience and to achieve success through their own projects (see our recent post: What the F&$k Is a Web Series, Anyway? Part 3). The latest of these networks is Stream Now Pro, an offshoot of the existing online video service Stream Now TV, founded by its CEO Ron Valderrama.

Stream Now Pro recently launched via its official web site (see link below) and mobile app and is now available on Roku and other smart TV devices (with more to come). The service gives subscribers an affordable ($1 a month), streamlined and commercial-free viewing experience that offers a wide variety of the best and most innovative indie video content.

Most importantly, Stream Now Pro gives creators of such content greater opportunity to have their movies and series showcased via the network by the ability to submit directly to the service's web site, where the work will be critically assessed by talented filmmakers and other experienced filmmaking professionals.

In addition to great original web series (like the comedies WELCOME HOME and GRIDLOCKED, which premieres May 1st) plus shorts and other feature length films, Stream Now Pro struck major streaming distribution deals with independent studios Gravitas Ventures and Studio Libre.

Selections on Stream Now Pro include Gravitas' acclaimed PING PONG SUMMER, starring Susan Sarandon and available to North American subscribers, plus other notable features including Studio Libre's AS HIGH AS THE SKY, HERO OF THE DAY, and THE HAPPY POET.


We spoke to Valderrama about Stream Now Pro, including how the network's streaming deals with Gravitas and Studio Libre will benefit subscribers, how its emphasis on indie filmmakers sets Stream Now Pro apart from its competitors, and the various ways that filmmakers who submit their content to the site can benefit from the personal attention and feedback they receive from the network's team.

Describe what inspired you to create Stream Now Pro, and what factors led to its development.

Ron Valderrama (Stream Now TV CEO): There were several factors that played into starting Stream Now TV and Stream Now Pro. I noticed that I was watching digital platforms on my TV back in 2009-2010 and knew streaming was going to be a major factor. At the same time, I had been asked (despite my total lack of any film industry knowledge) to get involved with projects by filmmakers. The first time I laughed it off, but by the second or third time, (I) decided to give it a go.

A filmmaker friend of mine, Michael Campo, and I were trying to develop a series based off of a successful film he had made. Without naming names, we landed several big meetings with one of the largest streaming companies and a couple of traditional TV networks. Ultimately, we failed in glorious fashion. Not knowing any better, I decided to start my own network with the goal of eventually making content on it. I knew there was talent all over the world that had to fight the almost impossible battle of breaking into the industry.

The PRO model is just a result of refining the product. By having a freemium model, we can reduce friction by having a free version that requires no sign ups. Consumers can just start watching. The PRO version gives a more refined product, with no commercials and an expanded content library. I would consider PRO to be a solution to making a more beautiful experience for our power users.

What, if anything, sets the content on Stream Now Pro apart from other streaming sites/networks?

Valderrama: Stream Now TV and Stream Now Pro are focused specifically on independent films and shows. In addition to the entire Stream Now TV library, Pro offers additional premium content while maintaining its independent roots.

What sets apart Stream Now Pro from the traditional Stream Now service?

Valderrama: Stream Now Pro has a slightly more refined user experience, all ad-free content and an expanded content library.

What kind of content can subscribers expect to see, and how much does it cost to subscribe?

Valderrama: Obviously, everything is independent, but it varies from short films to web series to even full feature films with well-known actors. The only qualification is that we are celebrating amazing independent filmmakers. It's only $12 for the entire year (this is not a typo, it's literally a buck a month).

What does Stream Now Pro offer creators and subscribers that differentiates it from its primary competitors: Hulu, Netflix, Amazon Prime and YouTube?

Valderrama: I don't consider Youtube to be a competitor in this market. It's a place for my daughter to watch cat videos. To answer the creator question first, most creators will never have the chance to get their work in front of those companies. However, if they do, the odds of it being picked up are stacked against them. Indie content is not the focus for those companies. It is for us.

What is interesting is that any of those companies have significantly more indie content than Stream Now Pro, but most of the time it's not even discovered because of their vast content library. Viewers come to Stream Now Pro to discover and watch content they would not otherwise see, and I think that gives us a significant advantage.

But let's not consider this to be a zero sum game. Obviously, those companies are winning, but we are all just channels. Do you watch just one TV channel or four? If that was the case, the broadcast networks would have won and we would have never seen shows like Mad Men on AMC. The reality is, an average consumer watches 17 different channels on a regular basis. We don't need to beat those other companies. That's not the point here. We just need to be one of the 17.

How will Stream Now Pro serve and benefit audiences and filmmakers whose perspectives and voices have been traditionally under-served?

Valderrama: For the most part, Stream Now Pro seeks and curates its content; however, we have given creators a direct line of sight to our content team by having a submissions page. That's important for two reasons. One, creators have the opportunity to have us review your content and have it on our platform. Almost as important though, the content is viewed by established filmmakers or industry experts that can offer critical feedback on the work itself. So, consider all the times creators have submitted their work, only to be rejected with no reason. That feedback would likely be critical to the creators' future development.

What services do you provide for filmmakers/web series creators?

Valderrama: There are no specific services for creators, aside from our project consultation services, which is fairly comprehensive. But, in terms of creators that are currently on Stream Now, let me be clear, it is in my best interest for their content to be promoted and wildly popular. So we work hand in hand with our creators, almost as if they are on our team and we are on theirs. This is significantly different from any companies you mentioned before.

How will the recent content deal you struck with Gravitas Ventures benefit indie filmmakers who hope to gain a broader audience for their work?

Valderrama: The films that come as part of the Gravitas Ventures deal have already had critical success. I'm more excited about the attention our current library will receive as viewers come to the platform to watch an acclaimed movie like Ping Pong Summer starring Susan Sarandon, but stay on to discover a lesser known web series like Welcome Home.

My goal with Stream Now is to give creators a platform to be proud of, and to showcase their work, as opposed to just loading your passion project on YouTube, which is, let's face it, ugly and has no vested interest in keeping the viewer on your content. We are creating a premium experience and breaking down the barriers for talented creators to break into this industry. Creators are proud to say they are on Stream Now Pro.

Are there any plans for expansion, and what movies/series will appear on the service in the future?

Valderrama: We will continue to expand onto new platforms, such as Apple TV. In terms of content, it's a constant moving target. I will say (that) we are close to closing another significant deal, similar to the one with Gravitas Ventures. However, I can't mention details until we get through the contracting process.

What are your overall hopes for Stream Now Pro's success?

Valderrama: As I mentioned, this company was started for two reasons. One, to break down barriers for talented creators to get into the industry, and two, to create amazing content. So, looking forward, original content is going to be the missing piece here. I'm very excited to say that we are in the early stages of creating our first original series, and with an amazing cast/crew. We think the way we are doing this will literally change the entire system...if it works.


To access Stream Now Pro's content, including via the ROKU device and other smart TV/streaming devices, visit:

For more information on how to submit your series to Stream Now Pro, visit: