After months of speculation, Summit Entertainment has finally landed Oscar-nominee Bill Condon (nominated for writing Gods and Monsters and Dreamgirls respectively) to helm the final book of the Twilight series, the much-debated Breaking Dawn. There is still no word as to whether the book will be split up into two films ala Harry Potter and the Deathly Hallows. The principal cast members would likely have much negotiating power if such a move were to take place, so Summit would have to weigh the cost of paying Kristen Stewart, Robert Pattinson, and Taylor Lautner giant raises versus the likely cash cow that would be one more Twilight picture. I can only presume that Bill Condon will be directing all of Breaking Dawn whether the book is adapted into one or two pictures. This likely puts Condon's theoretical next picture, Richard Pryor: Is it Something I Said? with Marlon Wayans as the groundbreaking stand-up comic, on the back-burner for at least the next year.
Frankly, the most interesting thing of note is that in this age of director-shepherded franchises, the Twilight Saga will end up having a different director for each book. Even the Harry Potter franchise has had four helmers for eight pictures, with Chris Columbus directing the first two pictures and David Yates directing the final four episodes (of course, Alfonso Cuaron directed part 3 and Mike Newell directed part 4 in between). Even if Breaking Dawn becomes two movies, that's still four directors for five movies in a single narrative. In this day and age, where Sam Raimi starts and finishes his personal Spider-Man trilogy, and Chris Nolan seems set to close out his Batman epic, it is a little unusual for the cast and narrative to maintain such consistency while the director's chair is a revolving door. It is one thing when an initial helmer is shown the door or leaves the series after two installments for whatever reason (Batman Forever, X-Men: The Last Stand, Chronicles of Narnia: Voyage of the Dawn Trader),or when the studio wants to revive a finished series with fresh blood (see Rob Marshall taking over the reins from Gore Verbinski in the new Pirates of the Caribbean picture) but it is quite interesting that Summit is so determined not to maintain the slightest bit of directorial consistency with a series that none the less maintains a rigorous narrative continuity.
For final thoughts and which surprising series follows the same pattern of shifting filmmakers, read the rest of this article at Mendelson's Memos.