Theater: Jimmy Awards Light Up Broadway With Teen Talent


Summertime may be slow for new shows on Broadway, but it's a great chance for other events to garner attention. The August Wilson Monologue Competition in May spotlights USA's greatest playwright and gives high school kids from around the country a chance to sink their teeth into his work. If you're planning a visit to the city in July, checking out the brand new musicals getting full productions in the New York Musical Theatre Festival from July 7-27 is an absolute must.

And in June, savvy theater buffs check out the talent on display at the National High School Musical Theatre Awards. Hosted by two time Tony winner Michael Cerveris, the awards offer scholarships to two deserving winners. More importantly, all of the 52 talented teens get a chance to be mentored, receive top notch coaching, work with directors and choreographers and then perform numbers on a Broadway stage. But put all that good work aside: it's just a fun evening of entertainment and you invariably spot a star or two of tomorrow.

They're nicknamed the Jimmy, in honor of James Nederlander, who has been working in the theater world for 86 years and was proudly in attendance. (He started sweeping the floors for his dad when he was 7.) It's a shame more casting directors and agents don't flock to the show as well because there's a lot of talent here. The organizers really should post the solo performances from Sunday online, not to mention the medleys and solo numbers we watched Monday night. Why not showcase their talent as much as possible?

The evening is split into two parts. In the first half, six groups of performers do medleys of songs from the musical that took them from their local schools to regional competitions to New York City. Numbers are strung together very cleverly, often with two or more actors who tackled roles like Mary Poppins or Doctor Frankenstein or the lead in Big Fish (apparently a big show in high schools last year) trading off lines in clever ways. Based on this night's entertainment (and a full solo performance by each actor the day before for a panel of judges) six finalists are selected. In the second act, three men and three women do another number and two winners are chosen.

The performers themselves give you hope for musical theater when you realize how much work they put into learning their choreography, the group numbers, the lyrics of the other songs in their medleys AND bits of business to do throughout. All in less than a week. Much credit for the night goes to director Van Kaplan, choreographer Kiesha Lalama and musical director and arranger Michael Moricz, who do a sterling job in a very short amount of time molding these kids into a satisfying ensemble.

The comic highlight was unquestionably showing the maid in Caroline, Or Change bemoan her job and then having two of the four actresses who played Mary Poppins assure Caroline that "In every job that must be done/ there is an element of fun." Clearly a tremendous effort has been made to give all the actors bits of business. They stay in character even when performing in the ensemble or passing off the baton from one performer to the next, often getting little laughs but never, ever upstaging one another or interfering with the overall flow.

Marla Louissant was the night's standout and rightly won Best Actress for that performance as Caroline, as well as a solo turn doing "I'm Here" from The Color Purple. There was no doubting Louissant's talent as an actress and singer. If the new Broadway revival of The Color Purple didn't already have its star, Louissant would be ready to make the leap today, just as a runner up from two years ago was immediately cast in the lead of the West End revival of Miss Saigon.

Anthony Skillman won Best Actor after doing a number from Tarzan and a solo turn from Parade, specifically Frankie's angry soliloquy "It Don't Make Sense." And Skillman proved Tony Award-ready with his endearing acceptance speech, giving a happy shout out to the Supreme Court decision for marriage equality and then thanking his parents in the audience in the same breath.

Here's Skillman doing a performance of a medley during one of the regional events leading up to the finals.

Yet they were far from the only story here. I circled six people as locks for the finals (I got three right) and another ten as very promising. So more applause for Kylie Lynn Heyman who gave verve to Reno Sweeney of Anything Goes. I was certain she'd be one of the finalists. Travis Anderson was a long-limbed Lord Evelyn Oakleigh, also from Anything Goes (but a different production), creating a full comic performance in about 90 seconds. He was matched by Zac Gottschall's equally winning Horace Vandergelder from Hello, Dolly and Larry McKay's charming J. Pierrepont Finch from How To Succeed.

Marnie Quick made the tricky Bacharach/David tune "Wishin' And Hopin'" seem easy. She too was a deserved finalist. Aleksander Papanastasopoules had by far the best name of the night and was a very good Javert, matched by Evatt Salinger's convincing Jean Valjean. Kamari A. Saxon was the lucky talent who earned a scholarship to attend Carnegie Mellon's pre-College Drama Program. (I wish I'd been able to hear his performance from Violet in full.) Noah Barnes was a natural for Joe Hardy from Damn Yankees. He's too handsome and gifted with such a classic, gorgeous Broadway voice (Barnes opened his mouth and filled the cavernous Minskoff with ease) that you have to believe this won't be the last time he'll be on stage in New York.

Finally, my vote for Best Actor based simply on what I saw this night was for finalist Alec Michael Ryan, who was excellent as Laurence in Dirty Rotten Scoundrels and -- like Louissant -- had one of the night's cleverest transitions and made the most of it. His solo turn ("Who I'd Be" from Shrek The Musical) and medley number both felt like complete performances as both actor and singer. I don't always say that with the pros being paid to perform on Broadway every night, but I'm saying it about him. And I'd happily pay to see him perform again.


Honeymoon In Vegas **
The Woodsman ***
Constellations ** 1/2
Taylor Mac's A 24 Decade History Of Popular Music 1930s-1950s ** 1/2
Let The Right One In **
Da no rating
A Month In The Country ** 1/2
Parade in Concert at Lincoln Center ** 1/2
Hamilton at the Public ***
The World Of Extreme Happiness ** 1/2
Broadway By The Year 1915-1940 **
Verite * 1/2
Fabulous! *
The Mystery Of Love & Sex **
An Octoroon at Polonsky Shakespeare Center *** 1/2
Fish In The Dark *
The Audience ***
Josephine And I ***
Posterity * 1/2
The Hunchback Of Notre Dame **
Lonesome Traveler **
On The Twentieth Century ***
Radio City Music Hall's New York Spring Spectacular ** 1/2
The Heidi Chronicles *
The Tallest Tree In The Forest * 1/2
Broadway By The Year: 1941-1965 ***
Twelfth Night by Bedlam ***
What You Will by Bedlam *** 1/2
Wolf Hall Parts I and II ** 1/2
Skylight ***
Nellie McKay at 54 Below ***
Ludic Proxy ** 1/2
It Shoulda Been You **
Finding Neverland ** 1/2
Hamlet w Peter Sarsgaard at CSC no stars
The King And I ***
Marilyn Maye -- Her Way: A Tribute To Frank Sinatra at 54 Below ***
Gigi * 1/2
An American In Paris ** 1/2
Doctor Zhivago no stars
Fun Home **
Living On Love * 1/2
Early Shaker Spirituals: A Record Album Interpretation ***
Airline Highway * 1/2
The Two Gentlemen Of Verona (Fiasco Theatre) ***
The Visit (w Chita Rivera) ** 1/2
The Sound And The Fury (ERS) **
Broadway By The Year: 1966-1990 ***
The Spoils * 1/2
Ever After (at Papermill) **
Heisenberg *** 1/2
An Act Of God **
The National High School Musical Theatre Awards ***

Thanks for reading. Michael Giltz is the founder and CEO of the forthcoming website BookFilter, a book lover's best friend. Trying to decide what to read next? Head to BookFilter! Need a smart and easy gift? Head to BookFilter? Wondering what new titles came out this week in your favorite categories, like cookbooks and mystery and more? Head to BookFilter! It's a website that lets you browse for books online the way you do in a physical bookstore, provides comprehensive info on new releases every week in every category and offers passionate personal recommendations every step of the way. It's like a fall book preview or holiday gift guide -- but every week in every category. He's also the cohost of Showbiz Sandbox, a weekly pop culture podcast that reveals the industry take on entertainment news of the day and features top journalists and opinion makers as guests. It's available for free on iTunes. Visit Michael Giltz at his website and his daily blog. Download his podcast of celebrity interviews and his radio show, also called Popsurfing and also available for free on iTunes.

Note: Michael Giltz is provided with free tickets to shows with the understanding that he will be writing a review. All productions are in New York City unless otherwise indicated.