WATCH: Exclusive Jay-Z Interview With Steve Stoute (Part Two)

Last week HuffPost Black Voices premiered the first episode of our ongoing video series, "The Tanning Effect," which featured hip-hop mogul Jay-Z discussing the meaning of his joint album with Kanye West, Watch the Throne, the impact of his music on mainstream America, and on being an unpaid spokesman for Cristal champagne.

In part two of his exclusive interview, Hov opens up on being the first major hip-hop act to headline British festival Glastonbury (in 2008), and on the effect of his 2003 hit single, "Change Clothes," on the stock of sports licensing apparel. Check out part two of the interview above.

Also, check out an excerpt from Stoute's tome below.

Excerpt from Chapter Two: "Hard Knock Life"

Yes, it's true that in the past the idea of pushing brands would have been seen as inauthentic, or something you did after your career peaked, or as some kind of selling out. But no longer. Why not? Why wasn't it selling out for rappers to embrace and promote Versace when it would have been seen that way for rock 'n' roll and R&B icons or pop superstars? Well, one reason, as we saw with "My Adidas," was that it's not a sellout when it's authentic to your taste and style anyway and you're already doing product placement for free. It was part of the art and far from selling out; Andy Warhol proved that when he painted iconic pop art portraits of products like Campbell's soup cans, paying homage to one of the most classic, enduring American brands ever.

When I asked Jay-Z for his insights, he pointed out that many of the rock musicians had come from sustainable backgrounds, seeking acclaim for their talent and a level of cool that playing music gave them. For rappers coming out of the projects, getting paid and bettering yourself is part of gaining credibility. Jay reminded me also that it's not selling out when a kid in the projects sees a guy rapping about Sprite or the Gap because they know he'll be getting the money and that feeds his or her own aspiration. It's not that being acknowledged for talent and great work isn't desirable, but getting paid trumps those goals. I agree. I don't think many hip-hop fans ever subscribed to the concept of selling out, not when you come from nothing and a deal can become part of your rags-to-riches success story.

Reprinted from "The Tanning of America" by Steve Stoute by arrangement with Gotham Books, a member of Penguin Group (USA) Inc., Copyright 2011 by Steve Stoute.

For more information on Steve Stoute's "The Tanning Of America" click here.


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