Whitney Houston's Mother Disputes Claims Singer Was Molested By Cousin

Cissy Houston and Dionne Warwick responded to the allegations that appeared in the "Whitney" documentary.

Whitney Houston’s mother, Cissy Houston, says that she and niece Dionne Warwick have “difficulty believing” that the late superstar was molested by a cousin ― a claim put forth in the new documentary “Whitney.”

The film created a stir at its Cannes Film Festival premiere in May for the revelation. Whitney Houston’s longtime assistant Mary Jones said the “How Will I Know” singer confided to her that she had been sexually abused by Warwick’s sister, Dee Dee Warwick, as a child. Whitney Houston’s half-brother, Gary Garland, also said that he was a victim of the now-deceased Dee Dee Warwick.

Speaking for herself and Dionne Warwick, Cissy Houston said in a statement to People, posted Wednesday: “We cannot, however, overstate the shock and horror we feel and the difficulty we have believing that my niece Dee Dee Warwick molested two of my three children.”

Cissy Houston performs during a tribute to her late daughter, Whitney Houston, in 2012.
Cissy Houston performs during a tribute to her late daughter, Whitney Houston, in 2012.

Whitney Houston died in 2012 at age 48 from what was ruled an accidental drowning in a bathtub. Dee Dee Warwick, a two-time Grammy nominee and backup singer for Aretha Franklin and others, died in 2008 at age 63.

“Dee Dee may have had her personal challenges but the idea that she would have molested my children is overwhelming and for us unfathomable,” the statement added. “We cannot reconcile the Public’s need to know about Whitney’s life as justification for invasion of her privacy or the charge against Dee Dee, a charge which neither Whitney nor Dee Dee is here to deny, refute or affirm.”

Cissy Houston also criticized Jones for choosing “to betray” the star’s trust by ”publicizing rumors and hearsay” and the documentary’s filmmakers for withholding the molestation allegations in the film until a few days before its Cannes debut.

“While the filmmakers certainly had the legal right to make this film, I wonder at the moral right,” Cissy Houston wrote.

For the full statement, visit People



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