danny boyle

"True Detective" and "Beasts of No Nation" director Cary Joji Fukunaga is set to take the helm of the 25th Bond movie.
New month, same old news. 1. Trump is to announce his decision on the Paris climate agreement today. Our future is in his
HH: George mentored me through a veterans organization and has been an immense help in developing my craft. Over the years
I may sound like I'm gushing when I write that meeting the wise, striking Dev Patel and listening to a talk with the handsome, funny Jake Gyllenhaal were the highlights of this year's Dubai International Film Festival for me. And make no mistake, I am.
At brunch at the Vault in the St. Regis Hotel last week, writer Aaron Sorkin spoke about his script, loosely based on Walter Isaacson's biography.
The problem with Danny Boyle's Steve Jobs, based on the Walter Isaacson bio, is that it's one long product lunch.
This is a dark portrait of a profoundly psychologically damaged man whose compensation for feeling unwanted as an infant was to crush everyone around him into admiring his brilliance. But at what price?
I awaited few fall releases with more anticipation than Steve Jobs, the Danny Boyle directed, Aaron Sorkin penned film based on Walter Isaacson's best-selling biography. After all, as they say at Nate'n Al deli in Beverly Hills, "what's not to like" about that team?
For this week's show, after taking stock of the aftermath of last week's once-in-a-lifetime Back to the Future day (make
Like Aaron Sorkin's work on The Social Network before it, Steve Jobs isn't meant to serve as historical document of a man, but rather a meditation on a movement.
I understand creative license and why films need to condense, simplify, fudge, and invent to create drama, but is there a point where this can be considered excessively dishonest?
The latest attempt to peel away the layers of the enigmatic Jobs comes via Steve Jobs, a new film from a veritable varsity team of cinematic heavy-hitters: Michael Fassbender playing the title role, a script by Academy Award-winner Aaron Sorkin, and direction by Danny Boyle.
HuffPost Live explores the importance of fact in a biopic.
Composer Daniel Pemberton followed up his deliciously swanky movie score for "The Man from U.N.C.L.E." with not one but three different scores for "Steve Jobs," the new Danny Boyle film starring Michael Fassbender as Apple's controversial visionary leader.
The greatest strength of "Steve Jobs," the farthest cry from a cradle to the grave biopic since "I'm Not There," is that it knows when to cut us loose and leave us to stew with questions in the wake of this flawed but omnipotent superpower.