Gertrude Stein

Ernest Hemingway: Between Two Wars opens Sept. 25 at the Morgan Library and Museum in Manhattan. It's the first-ever major museum exhibition of his work, and promises a thorough examination of how the author honed his craft and brought emotional life to his writing.
Two super stars of the stage -- ballet icon Mikhail Baryshnikov and actor Willem Dafoe -- in a fantastical, almost two-hour pas de deux, performed under the direction of gay theater genius Robert Wilson.
One of Gertrude Stein's most famous lines is, "there is no there there." Theatre de la Ville's production Pirandello's Six Characters in Search of an Author directed by Emmanuel Demarcy-Mota and recently played at BAM visualizes Stein's phenomenology as Plato's Allegory of the Cave.
Teaching and writing have long been symbiotic partners. It was common for the young writer to use academia as a means of support while they toiled away on their inaugural attempts at publication.
For too long the contemporary art world has been the exclusive redoubt of insiders, tastemakers, and a privileged elite. Gertrude has exploded this paradigm, and fashioned a conversational forum that democratizes and demystifies contemporary art.
It's the greatest time in history to be a writer. There are more ways to get published than ever before. While it's great to have so many options, it's also confusing. But when you break these many different ways down, they sort themselves out into just three primary paths.