gigi

It is this simplicity that feels too safe in Kim Brandstrup's premiere for New York City Ballet. Jeux reminds you of Kurt Vonnegut's iconic line: "Everything was beautiful and nothing hurt."
What makes a show fail? Many in the industry have pondered that question. If we knew the answer, shows wouldn't fail. Even veteran producers with a string of hits sometimes stumble. For there is really no magic key.
After the telecast (discussed in my post here), Broadway is all about the after-parties. There is the official Tony Gala at the Plaza. Then each show or each lead producer usually hosts their own party.
If you ask me, On The Town, which is currently slightly trailing both other contenders in my Tony polling, deserves the win. I, like most, was worried when the show was announced for that barn of a theater, but director John Rando proved the doubters wrong.
I've been away -- I mean psychically, mourning a friend; an employee at my bookstore who died very tragically two weeks ago. Her name was Cindi DiMarzo.
As a fever ate away at my remaining brain cells last week, I was bombarded with questions about the Tony nominations. I answer two main questions below.