For “Falsettos” star Brandon Uranowitz, only an authentic life is worth living.
One story I enjoy sharing is about the staging of "Glitter and Be Gay" in our production. We were in an environmental set
"I like plays that feel like somebody took a fun house mirror and put it up to the real world, and it's sort of reflecting back a version of it to you. I find that, in looking at that reflection, you can start to understand a little more about your life."
By 1959 when Tennessee Williams got around to presenting Sweet Bird of Youth on Broadway, as directed by Elia Kazan and starring
Ever since the Stephen Sondheim-George Furth-Harold Prince Merrily We Roll Along opened in 1981, rolling along merrily is one thing it hasn't done.
In a theater-going era when anything with assumed marquee value is trussed up for consumer consumption, it's a treat to recall something that -- for the abundance of high-quality theater craft it contains -- truly deserves enthusiastic applause.
Judged by some compromised standards, Love Never Dies is not the metaphorical crashing chandelier it's reputed to be.