The institution will also consider Bon Jovi, Nina Simone, LL Cool J and Depeche Mode.
"No one is going to understand it."
What do Adele, Foster The People, Hozier, Norah Jones, Arcade Fire, Lorde, Beck, Coldplay, The Black Keys and Sia all have in common?
On Valentine's Day, while en route to a "poetry reading about love" by a group called Angels on Bicycles, I realized I was standing in front of the Hammersmith Odeon, where Kate Bush, one of my favorite singer-songwriters, had played her last concert in 1979.
About seven people attended the band's debut performance, including Schmitz's parents and members of the school's AV squad, plus the church custodian.
The trick to transcendent music is camaraderie. The sum is GREATER than the parts. Much greater. The magic is created by human beings working in harmony, in symphony, together.
Interviews with singer and songwriter Kate Bush are relatively rare, almost as rare as her concerts, which have been nearly non-existent since 1979. I interviewed Bush in-person and one-on-one in December 1985 in a Manhattan hotel room.
Since they debuted, the stellar UK band have switched up their sound but keep it rocking throughout the journey with their signature sound and sharp-as-a-machete lyrics. Last month, the trio dropped their seventh album entitled Loud Like Love.
Dark: A Conversation with Martyn Ware, Plus James The Giant's "Two Weeks On The Ocean" Exclusive and Capricorn Studios in Peril
"What I want to do is dark versions of previously happy pop songs," and he said, "You should call it Previously Happy Pop Songs," which I thought was a bit of a mouthful, so I thought I'd call it Dark.