Kristin Scott Thomas

Hugh Grant and Andie MacDowell return and "not everything will go as planned," screenwriter Richard Curtis said.
In all my theater-going days, I don't remember seeing a production that would likely give me nightmares. The thought had never crossed my mind. Until, that is, I went to the Pleasance Company and witnessed The Curing Room, David Ian Lee's import from the Edinburgh Fringe Festival.
Along with Glenn Close, Meryl Streep hosted a premiere screening this week of Israel Horovitz' My Old Lady at MoMA. Her family in tow, husband Don Gummer and daughter Mamie, she was celebrating her pal Kevin Kline's lead performance in this charming romance set in Paris, as well as Horovitz' debut as filmmaker.
Who among us hasn't thought of a pivotal moment in life for which he wished he had been granted a do-over? Who hasn't looked back in anger (or regret) and wished for a second chance that might have led to better results?
The two stars at the premiere..Felicity Jones and Ralph Fiennes. Photo from Sony Classics A new film, THE INVISIBLE WOMAN
Read more Popcorn Previews at www.popcorndiary.com As a theater family, the Ternans are destined to encounter Dickens from
In Enough Said, 52-year-old Dreyfus has never looked more fetching, and the late, great Gandolfini is finally allowed to be a leading man who looked like -- well, like a lot of the leading men in our own lives.
Passion isn't Brian De Palma's first remake, but it may be his worst: an over-inflated, melodramatically hot-blooded version of what was a cool French thriller.
I'm sure I'll make a lot of enemies with this post, since I know a lot of people -- some of whom I have great respect for -- who think that Nicolas Winding Refn's 2011 film Drive is a neo-classic and a cinematic masterpiece.
Working once again with a nearly silent Ryan Gosling, Refn sketches a story about a pair of brothers - Julian (Gosling) and
Take Ryan Gosling and Kristin Scott Thomas out of the equation, and Only God Forgives is no more than a stylish midnight movie about murder, vengeance and drug-dealing in Bangkok.
The only "humanity" comes from Ryan Gosling's sensitive tres masculin eyes. In fact, silent eye-contact is the most profound communication of the film.
As the plot thickens, the line between writing and real life becomes rather blurred. The line between voyeurs and subjects
Initially seeming like a comedy about the vicarious voyeurism of a literature teacher at a Paris high school, it casually transforms itself into something else: a psychological thriller of sorts, in which what is real is never quite clear and never particularly important.
French filmmaker Francois Ozon is once again messing with your mind, telling a tale of envy, desire, and literary license in In the House.
Rupert Everett has just won an award for playing Oscar Wilde in David Hare's melancholy play, The Judas Kiss, at the Duke of York's, and it's not difficult to reckon why.
Since its launch, Huff/Post50 has been interviewing artists, actors and writers. At the end of each conversation, we asked
In a compelling new film, Kristin Scott Thomas plays a beautiful widow who seduces American writer Tom Ricks (Ethan Hawkes). We recently spoke with Scott Thomas about "The Woman in the Fifth" and the woman behind her many roles.
The Woman in the Fifth gets off to a quick start, but it takes quite a while before we begin to see where the story elements might be going. It's done in an interesting suspenseful way that does keep us involved.
We recently had the chance to speak with Ethan Hawke, who raved about working with Pawlikowski and also dished on his love of European movies, Sidney Lumet, and genre filmmaking.