For Lamb's latest collaboration with MOCA Grand Project Space in Downtown Los Angeles, she concentrates on the ideas associated with the spiritual quest and the idea of infinity and continuum.
Today we are experiencing a cultural revolution and although in prior rushes we had an influx of migrants that contributed to its development, this one is internal and champions the native as the major benefactor.
When most people think about Inglewood, California, they usually don't think about the arts. Unfortunately, it was stigmatized in the 90s by Black gangster rap and hood films which gave it a tainted image, similar to Compton and South Central.
The words "morbid," "creepy" and "eerie" may identify a central theme in my work, but what struck me as I looked on the rusted machines dotting the Mulholland Drive hillside was the very stark contrast between death and new life, how the two occupy and define one another.
If you've ever wondered why LACMA's east campus looks like a Lincoln Center-wannabe emerging from an '80s porn star's pink-tiled shower stall, this exhibition will tell you exactly why. But the showstopper, which entranced me for a solid three hours yesterday, is Zumthor's proposed redesign.
Placido Domingo's collaboration with composer Lee Holdridge and librettist Richard Sparks dates back several decades and includes a number of commissioned operas for young audiences. The collaboration continues with the premiere of Dulce Rosa.
Georg Herold is the master of the material in the realm of the conceptual. As it all began with a stick, it has never lost its original conception.
Friday is Liz Glynn: The Myth of Getting it Right the First Time at LACMA at 7:30 p.m.