A warming planet has exacerbated a dire global fire threat brought on by growing cities, poor urban planning and more combustible landscapes.
When we asked these questions at Restore the Earth, we began to see a vision of a vibrant, thriving Amazon in North America
In the Q&A, Charles Cross, ASLA, an African American landscape architect with the Detroit Collaborative Design Center, stood
Pointe-aux-Chenes is just a small part of North America's Amazon, where the opportunity for restoration is enormous. Spanning
In Baton Rouge these past weekends, the "Cajun Navy" was out in force cleaning up after the devastating Louisiana floods
Rabbits and deer can turn your yard into an ugly mess of mangled plants and headless perennials. Use deer repellent and electric
Next To Nothing opens Friday March 11th at B Minus Studios, 207 N Broadway, Unit B, Santa Ana, California 92701 (949) 295
In "Building Codes," Indig approaches his surroundings like an architectural photographer, but he makes directive aesthetic choices like a painter -- and more, like a painter given to abstraction.
In his process-oriented palimpsestic landscapes and portraits, Trimble works at a prolific headlong pace, alone, in a race to execute ideas to his satisfaction before the next ones appear, fully formed, to disrupt the steady silent slap of paint hitting canvas.
Technically, our tale starts in the summer, but turtles are slow-shuffling creatures so it makes sense that everything has come to a head in the dead of this winter of our discontented spring.
What if there was a powerful but overlooked tool that could reduce global warming by 0.5°C by the end of the century? Imagine if reversing the decline of ecosystems was good for economies. What if making our world more beautiful, also made it stronger and more resilient?
Mary Iverson: Rainier View (2015, oil on canvas, 24 x 26 in.) The box was a universe, a poem, frozen on the boundaries of
Final Days for John Singer Sargent: Portraits of Artists and Friends at The Metropolitan Museum of Art
The exhibit at the Metropolitan Museum of Art John Singer Sargent: Portraits of Artists and Friends is in its final days, ending October 4th. I was fortunate to be invited to give two talks during the exhibit examining Sargent's work from an artist perspective.
5. Let there be light. Credit: Orchard Girls It's no secret that gardening reduces your stress. It's also no secret that
I belong to that rare and happy group of people who don't have indoor pets. Every day my friends on social media post photos and videos of cats and dogs, and I quickly scroll past these visions because I know that the dog licked its genitals before it licked that sweet baby's face.
The human body is as fascinating as the world in which it was created--with its powerful mind, perfect arrangement of limbs
These Magic Moments by Dora Artemiadi on 500px Kingdom Of Clouds by Evgeni Dinev on 500px Night ends by Daniel ?e?icha on
On our flight to England, I'd read Mark Doty's Still Life with Oysters and Lemon: On Objects and Intimacy. It is a book about still life pictures, but also about love, loss and our hunger for intimacy. The book moved me, and in the course of a ten hour journey, altered my understanding of why I travel, of why I need to travel.
As a matter of form, trees beg anthropomorphism. Trunks and limbs lean and strive, they dance and wave; appearing active and expressive; existing in thick entanglements, or as lone sentinels.
Blackwood joins in here with the rich history of landscape painting. Landscape is not an easy genre: nature is unruly, and does not wish to order itself into compositions pleasing to our sense of proportion. It is thematically difficult as well. Why do we look at landscapes? Because they are beautiful?