marcel duchamp

  --Charlotte Jansen Among the works and documentation on show at the Kunsthaus, selected by in-house curator Cathérine Hug
Gilbert Bretterbauer, Threaded Chair, 2016, painted metal. Courtesy of Rauminhalt. At Collective Design Fair. In the West
Center for Land Use Interpretation, Foreground: The Landscape of Golf in America, Los Angeles, May 22-September 20, 2015
Modernity, Jean-Michel Rabaté tells us, may be nothing but its own ghost. Mexico City and New York-based Miguel Angel Rios' work spans two centuries and responds and interrogates, as inflection and affliction, to the ghosts of the "pre- post-trans-anti-hyper-neo."
AC: It's not a stretch for Florida in general to embrace the contemporary Surrealist movement; if you read the news at all
This ambitious overview is a warm, paint-stained handshake and a grateful, standing salute to past award-winning innovative performances in a supportive role by pioneer picture makers. At the same time, it is a inquisitive and delightful investigation.
What does Carlsen have in common with sport superstars Lionel Messi, Jaromir Jagr or Stephen Curry? They all seem unstoppable. Everybody knows they are going to score, but not many are able to prevent it.
"Wasser has a fearless and well trained technique in understanding the importance of light and composition," explained Berman
Lisa Immordino Vreeland's Peggy Guggenheim: Art Addict illustrates all that is wrong with the art world and all also all
As an artist with years of mathematical training, I am continuously looking for inspiration and find much in Cézanne's and Einstein's work.
A beautiful new documentary illuminates the difference between an art collector and a patron who not only amasses a tremendous collection but whose taste and interests help define an era.
Both subjects are fascinating looks into women of note. Both were colorful figures and thought leaders, ahead of their times
Peggy Guggenheim stands in stark contrast to the collectors of today, many of whom buy for portfolios and not passion and whose private museums and art galleries are not places of discovery but enshrinement. There were no six degrees of separation from the artists to Peggy who just as often slept beside them as hung them on her walls. 'I began to see Peggy... as the last of Henry James's transatlantic heroines, Daisy Miller with rather more balls.' wrote Gore Vidal.
Here's your handy guide to separating the shock from the schlock.
Stepping into Damián Ortega's solo exhibition Casino (curated by Vicente Todolí) at Milan's HangarBicocca, viewers may feel that they have entered into a dark and unusual four-dimensional universe, dotted with bright frozen explosions.
It matters where you see a work of art, as do the things that surround it. Meanings emerge and change -- sometimes slightly, sometimes dramatically -- in relation to context.
Michelangelo, The Creation of Adam Sandro Botticelli, The Birth of Venus Unknown artist, Gabrielle d’Estrées et une de ses