marshall fine movie review
We take our mentors where we find them in life, though it's not always apparent who's teaching who. That's the case in Learning to Drive, a comic drama by Isabel Coixet that offers beautifully matched performances by Patricia Clarkson and Ben Kingsley.
In a summer filled with cinematic bombast and overkill, it's always a nice surprise to find a charming little comedy with heart like People Places Things.
Guy Ritchie's The Man from U.N.C.L.E. is a day late and a dollar short -- actually, make that several seasons late, for anyone who watches the outrageously funny animated series, Archer.
I tend to blow hot and cold on the films of Noah Baumbach though, truthfully, more hot than cold. But I draw the line at his collaborations with Greta Gerwig, who may be the most overrated (or at least most overemployed) actor of her generation.
Jonathan Demme's Ricki and the Flash is one of those near-misses that feels as though a lot of discussion went into the rationale behind every wrong-headed decision.
"Fury Road" is less a sequel than a reimagining of this post-apocalyptic mythology.
These feel like cinematic end times -- not in terms of Hollywood movies (that horse is already out of the barn), but in the pack-mentality, "hey, it's good enough" approach of critics to the colossus that bestrides summer movies, otherwise known as the Marvel Universe.
The directing debut of actor Chris Messina, Alex of Venice is as notable for what it doesn't do as for what it does. This is the story of a married parent suddenly forced to realign priorities when their spouse walks out. Think Kramer vs. Kramer - and then make the central character a woman instead of a man.