An American theatergoer in London can always be sure to find an intelligent modern-day adaptation of a world drama classic or two. At present, both the National and the Almeida have successful examples on offer.
Sometimes the magic and beauty of the classroom, the soaring beyond simple skills and content, happens in the most unexpected ways. At these moments, we are experiencing a kind of performance art in the classroom.
Young tenor, Mingjie Lei, a product of the prestigious Curtis Opera Theatre, displayed the voice and confidence of the up and coming Bel-Canto tenor that he is. His tones were bright, without an edge, sort of a soothing balm to the ears.
I have fond memories of Niketi when we were studying together in the Department of Political Science at the Law School of