Palais de Tokyo

Nine chicks have hatched and are on their way to a nearby farm.
One exhibition shines as an example of how personal relationships and art can influence each other in surprising and beautiful ways. An exhibition that is at once a retrospective, a work of art in its own right, and a "declaration of love," "I Love John Giorno" is curated, produced and expressed by Ugo Rondinone.
For a few months at the end of 2013, French artist Philippe Parreno took over the entire exhibition space of the Palais de Tokyo, a process which had never been done before.
Korakrit Arunanonchai recently opened an installation at Palais de Tokyo in Paris, which tells the story of the formation of a painter.
Ever since Marcel Duchamp posed the Dadaist question with his readymades, "Can one make works of art which are not "of art," the boundaries of art have been a flexible, permeable thing. Why are some things considered "art" - and afforded the respect and criticism that comes with that - and others not?
As far as bizarre and pointless-seeming artworks go, this isn't Sachsalber's first time at the rodeo. According to ArtNet
"Baitogogo" takes the shape of a Gordion Knot, meaning the wooded network is physically impossible to disentangle by hand
Greeted with a sensation of grandeur amidst tall, stoic, vaulted archways and gothic pillars made of pale stone, Michel Blazy's work generates intrigue in the material presented.
Contemporary art is no longer and can no longer be the special terrain of the aesthetic courtesans to remote powerful elites: it is the collective carnival gathering in which we are inundated by the sounds, sights and symbols of our current collective madness.
2011-10-31-Screenshot20111031at3.53.52PM.jpg It is a "space for production, reflection and today's challenging art, but with a structure that is pro-active and flexible."
Is contemporary art welcome in the city of lights? The art world has descended upon Paris in search of an answer to that question, with all eyes on a major contemporary art fair.