paul mccarthy

After one of Nobuyoshi Araki's collaborators came forward with her story of exploitation, we spoke to other women about the realities of being a muse.
As my friend and I were negotiating our press passes we saw a guy come up wearing pleated Dockers and holding his roller blades under his arm. In my head I made up a whole narrative about him.
Carolee Schneemann, Interior Scroll, 1975. © Carolee Schneemann, © Bildrecht, Wien, 2015. Courtesy of Collezione La Gaia
While Bress's work takes advantage of the tools of digital media, it is just as invested in the handmade, physical objects. Bress's work plays with the tension this generates, as many of his video works may appear, at first glance, to be entirely digitally rendered, an illusion that is quickly shattered.
This year's Frieze Talks program exhibits a strong streak of humor and irony, promising to transform the auditorium appendage at the north end of the Frieze tent from a room you might accidentally wander into when you're looking for a bathroom, to the room that you're actually looking for.
Whether it's a catalogue that allows us to enjoy an exhibition long after its doors have closed, or an in-depth investigation into the oeuvre of our favorite artists, these new books will surely be treasured for years to come.
"Chocolate Factory" runs at January 4, 2015 at the Monnaie de Paris. His chocolate factory fits right into the mold, toeing
Thankfully, the Internet has drastically changed the way we view art around the world, and the plug will live on through
"Anal plug or tree?" Printemps Français pondered on Twitter. "Place Vendôme is disfigured... Paris is humiliated!" On top
It's a large box-type edifice built at a reported cost of more than $75 million into a sandstone cliff on a promontory a 30-minute ferry ride from Hobart, Tasmania's capital, on the north bank of the Derwent River.