The Blue Four Galka Scheyer Collection at the Norton Simon Museum is familiar to most Southern California museum-goers, but
During #MuseumInstaSwap, institutions are switching accounts and exploring each other's collections.
From the 17th to 19th centuries, gender could be neither binary nor biological.
The late master printmaker Belkis Ayón gets her first U.S. museum exhibition.
Diane Nebolon Silver: Eastern/Grand Canal, oil on hemp, 24 x 96 in, 2016 Her studio now is active with a new body of such
Jaco Putker's artworks are illustrations to fairy tales that don't exist.
Like paper dolls from the latter days of Mad Men, altered by a presence of physical graffiti, the monotypes with chine collé in Colleen M. Kelly's disarming series Naked Under Her Clothes are subversive and subtle, sexy but not sexual, traditional and unconventional, subliminal and right there on the surface.
Historians of art attempt to tell the story of our past by studying the cultural remnants left behind. It is usually impossible to recover a complete, irrefutable picture of what happened -- facts and stories lost with the passage of time are difficult to retrieve, requiring painstaking research in archives or slow, careful excavation.
If you were to ask writer, independent curator and antiquarian bookseller Victoria Dailey "What is the most shocking image of the late 19th century?" her answer would likely surprise you.