Cover: Abigail and Shaun Bengson in 'Hundred Days;' photo: courtesy of the Public Theater ____________________ Don't you
Projectile blood is just one spectacle in Shakespeare's problem play, Troilus and Cressida, as staged at Central Park's Delacorte
Not sold on Swados as much as I am on predecessors MacDermot-Rado-Ragni, there is one song I would like to get to know better
For a ZEALnyc wrap of Tony Awards 2016, visit: 2016 Tony Awards - Who Won and Who Should Have Won. With Janet McTeer as Petruchio
That generation is being trained at The Freedom Theatre. This powerful message apparently was lost on New York's acclaimed
Eudora Welty is one of the South's great writers. So it's no surprise that one of her novellas inspired a 1975 musical, The Robber Bridegroom.
First Nighter: Robert O'Hara's 'Barbecue' Sizzles a Bit, Sam Shepard's "Fool for Love" is Catnip for Actors
The first act of Robert (Bootycandy) O'Hara's Barbecue consists of four scenes, two each in alternation, depicting a lower-class white family and a lower-class black family on what looks like a picnic in a shady Middle America forest preserve.
Plays like Mercury Fur remind me why I love the theater above all other mediums. Philip Ridley's terrifying intermission-less piece brings us face to face with the darkest impulses of humanity without the comforting distance of the other.
The Aussie singer strips down for "Shooting Star."
There's a reliable rule of the stage according to which, if the actors are having fun, the audience absolutely will. That's what's rambunctiously going on throughout Daniel Sullivan's fooling around with William Shakespeare's late romance, Cymbeline.