The British-Nigerian star discusses his role in Steve McQueen’s “Red, White and Blue” and aligning his politics with his career.
Steve McQueen's new heist thriller starring Viola Davis is an electrifying and poignant crowd-pleaser that not enough people are seeing.
Like some others, Steve McQueen's heist film proves that mainstream appeal and artistic elegance aren't mutually exclusive.
It's more than a genre movie starring Viola Davis and Liam Neeson. It's a perfect portrait of race and power imbalance in our country.
For his smart new heist thriller, the "12 Years a Slave" director "wanted to make a picture that could be seen as high or seen as low."
The announcement comes over 20 years since the rapper's death.
I was a young reporter when this photograph was snapped, looking pretty cool in my Steve McQueen turtleneck. "Murdoch!" he
Remaking the 1960 John Sturges film starring Yul Brynner and Steve Mc Queen which was, in turn, modeled after Kurosawa's
"Could you imagine now if MTV only showed music videos by a majority of white people, then after 11 o’clock it showed a majority of black people?"
Thank you dear friend, for helping me get this show right. It was such a luxury to get exactly what I wanted, instead of skipping the braces because of the expense. Every time I used them, it added to the specificity of Patty, making her real to me, and real to the audience.