'I Am Not Your Negro' is based on notes for a book about race he never got to finish.
Premiering in the Orizzonti section at this year's Venice Film Festival, Yaelle Kayam's Mountain was one of the films that impressed me the most. I use that exact word because Mountain left both an impression on me and, as the Italians use the word "impressione" literally, it shocked, struck and shook me, profoundly.
Peter Sollett's Freeheld was, for me, the find of the day -- an intensely emotional film based on a true story that could easily win Julianne Moore her second Oscar in a row (and, perhaps, earn a nomination for the terrific Michael Shannon).