This post was published on the now-closed HuffPost Contributor platform. Contributors control their own work and posted freely to our site. If you need to flag this entry as abusive, send us an email.
Say hip hop and East Harlem-born Tupac Shakur may come to mind, not Royal S, Chyno, or Malikah, whose Beirut, Lebanon presence has morphed from a trend to a culture.
MC/beat maker Chyno associates this art form with Beirut youth’s frustration at the lack of outlets like city parks, sports facilities, and healthy escapes in a country engrossed in politics and corruption.
“There’s break dance, b-boying, there’s rap. It’s an art form that encompasses so much,” he said, explaining how youth like letting off steam.
Advertisement
He and a slew of hip hop, rap, dance, graffiti and other artists are featured in Salim Saab’s maiden voyage into documentary making, “Beyrouth Street: Hip Hop au Liban,” premiering today.
The film’s premiere comes as an act of defiance at Lebanon’s political/sectarian establishment in an ironic coincidence on April 13, marking the start of the 15-year Lebanese civil war in 1975.
Advertisement
“I wanted to show the Lebanese hip hop movement, to show that there are a lot of talented people in this country, a rich underground movement,” Saab told me. “I also wanted to show another Beirut; it’s also a tribute to Beirut.”
Saab, who hosts a culture show on Monte Carlo Doualiya – the France-based Arabic-language arm of Radio Monte Carlo – also goes by the name of Royal S and raps in French and Arabic.
His film adventure took him three months to shoot and about four to edit, using just one Canon 650D camera, two lenses, and no light, and admits the uneven definition was due to his single-handed effort.
But Saab managed to come up with 54:30 rich minutes of scenes, music, street panoramas and explanatory conversations with artists spanning a range of forms and interests.
Advertisement
The stars featured in the film boast noms-de-rap (or hip hop) like Rayess Bek, Edd Abbas, FZ, Spaz, Osloob, El Rass, Fish, Double A, and Lethal Skills, to name a few.
“I was 18 when I began dancing. Dance is a way of expression. In the final analysis, we want a means to vent off,” said B Girl Lana, one of the film’s subjects. “My parents were very supportive, which I didn’t expect.”
Another unlikely female figure is Malikah, a Lebanese-Algerian rapper who said Arabic rap was still new and that as a culture in Lebanon and Arab countries it was in its early growing stages.
“I began rapping in 2000, first in French, even a bit in Spanish, but in 2006, switched to Arabic,” she said. “It’s a beautiful language, from that day on, I decided I’d rap in my own language, like the French rap in French and the Americans rap in English.”
Advertisement
Not all artists in the film are Lebanese. Osloob (Arabic for style) is a Palestinian and a product of the Burj El Barajneh refugee camp. He found his calling in rap, and went on to greener pastures in France.
For Ribal Rayess of the online Radio Beirut, it was important to give voice to all artists in Lebanon, including the outspoken hip hop community.
“It’s the nature of the beast, it’s poetry, it’s social criticism, it’s something we really need in Beirut since we’re the capital and the nerve center,” he said in a sequence of the documentary.
Advertisement
He added that Radio Beirut had never censored hip hop and was grateful that in Lebanon there’s more freedom of expression than other countries, despite other hassles.
Saab’s forays include a brief tour d’horizon of Beirut’s graffiti scene, which has grown exponentially in recent years.
According to graffiti artist Phat2, there’s a lot of street art, portraits of famous people, political issues, but he and his colleagues are also trying to push the artistic scene to more professional work than amateurish endeavors that dot the cityscape, to reach what he termed European and American standards.
“I’m drawing calligrafiti,” said artist Omar Kabbani who mixes Arabic calligraphy with graffiti and was working on a design of composer/performer Ziad Rahbani and his famous musical “Bil Nisbeh La Boukra Shou?” (What About Tomorrow?)
Advertisement
Kabbani equated Rahbani with Tupac in Lebanon.
I asked Saab why he mixed French and English in the film’s title. Beyrouth is the French spelling for the Lebanese capital and street is, obviously, an English word.
“I didn’t mix it,” he replied. “‘Beyrouth Street’ is also a tribute to the movie ‘Beat Street,’ plus in France everybody says the word ‘street’ like ‘weekend’ or ‘hello.’”
Saab, who graduated from Paris’ Ecole Supérieur de Journalisme, worked for magazines and online media before turning to radio.
Our 2024 Coverage Needs You
It's Another Trump-Biden Showdown — And We Need Your Help
The Future Of Democracy Is At Stake
Our 2024 Coverage Needs You
Your Loyalty Means The World To Us
As Americans head to the polls in 2024, the very future of our country is at stake. At HuffPost, we believe that a free press is critical to creating well-informed voters. That's why our journalism is free for everyone, even though other newsrooms retreat behind expensive paywalls.
Our journalists will continue to cover the twists and turns during this historic presidential election. With your help, we'll bring you hard-hitting investigations, well-researched analysis and timely takes you can't find elsewhere. Reporting in this current political climate is a responsibility we do not take lightly, and we thank you for your support.
The 2024 election is heating up, and women's rights, health care, voting rights, and the very future of democracy are all at stake. Donald Trump will face Joe Biden in the most consequential vote of our time. And HuffPost will be there, covering every twist and turn. America's future hangs in the balance. Would you consider contributing to support our journalism and keep it free for all during this critical season?
HuffPost believes news should be accessible to everyone, regardless of their ability to pay for it. We rely on readers like you to help fund our work. Any contribution you can make — even as little as $2 — goes directly toward supporting the impactful journalism that we will continue to produce this year. Thank you for being part of our story.
It's official: Donald Trump will face Joe Biden this fall in the presidential election. As we face the most consequential presidential election of our time, HuffPost is committed to bringing you up-to-date, accurate news about the 2024 race. While other outlets have retreated behind paywalls, you can trust our news will stay free.
But we can't do it without your help. Reader funding is one of the key ways we support our newsroom. Would you consider making a donation to help fund our news during this critical time? Your contributions are vital to supporting a free press.
As Americans head to the polls in 2024, the very future of our country is at stake. At HuffPost, we believe that a free press is critical to creating well-informed voters. That's why our journalism is free for everyone, even though other newsrooms retreat behind expensive paywalls.
Our journalists will continue to cover the twists and turns during this historic presidential election. With your help, we'll bring you hard-hitting investigations, well-researched analysis and timely takes you can't find elsewhere. Reporting in this current political climate is a responsibility we do not take lightly, and we thank you for your support.
Thank you for your past contribution to HuffPost. We are sincerely grateful for readers like you who help us ensure that we can keep our journalism free for everyone.
The stakes are high this year, and our 2024 coverage could use continued support. Would you consider becoming a regular HuffPost contributor?
Dear HuffPost Reader
Thank you for your past contribution to HuffPost. We are sincerely grateful for readers like you who help us ensure that we can keep our journalism free for everyone.
The stakes are high this year, and our 2024 coverage could use continued support. If circumstances have changed since you last contributed, we hope you'll consider contributing to HuffPost once more.