reggae

"You've got to embrace yourself. Love what skin you're in," says Jennifer Hudson. "It's not about what other people think. It's about what you believe about yourself, so own it."
Diverging from his roots in techno and tech house, Chuckie has also been releasing a series of EPs with ChildsPlay titled Traphall. Though he will still often play techno and tech house during his live sets, he is perpetually striving to expand his sonic horizons.
Don't get me wrong. I love Jamaican reggae music. Ditto for its two predecessors, rocksteady and ska, and before that mento and old-time calypso. But down in the Caribbean you'll hear all kinds of other booty-shaking rhythms.
It happened here: the first major appearances of Jimi Hendrix, The Who, Janis Joplin, Otis Redding and more. No we're not talking about Woodstock. Before Woodstock. In a quiet seaside town known more for sardines than kissing the sky.
I say Israel, you say shrapnel. I say Israel you say, unrest. But wait. You've got it all wrong. You see New York and Ibiza had this torrid love affair and had a baby. They called her Tel Aviv.
In other words, if you're a musician, you have to play live to make money. The old business model of pressing a record or CD and cutting the pie a dozen ways doesn't work.
Talk to reggae icon Shaggy for three minutes or less, and you'll realize three things: A) he never stopped making music despite terrestrial radio in the states cutting his airplay B) his charity work will always come first, and C) he doesn't care about "A."
If Bob Marley's message of "one love" was an anthem for a previous generation, then Red Baraat's "pluralism" is one for a technologically interconnected world still severely separated by issues like race and economic inequality.
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