NY Times Sees It's In A Shonda Rhimes Hole, Keeps Digging

NY Times' Shonda Rhimes Scandal Gets Worse And Worse
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BEVERLY HILLS, CA - JULY 15: Executive producer Shonda Rhimes speaks onstage at the 'How To Get Away With Murder'' panel during the Disney/ABC Television Group portion of the 2014 Summer Television Critics Association at The Beverly Hilton Hotel on July 15, 2014 in Beverly Hills, California. (Photo by Frederick M. Brown/Getty Images)

The scandal surrounding the New York Times' piece on television titan Shonda Rhimes keeps getting worse.

The Times' Alessandra Stanley set the Internet alight when she wrote about Rhimes last Friday. Her depiction of Rhimes as an "angry black woman," along with her overall take on Rhimes' shows, drew intense, near-universal criticism, not least from Rhimes herself.

Cue the paper's intrepid public editor, Margaret Sullivan. After declaring Stanley's piece "condescending" and "astonishingly tone-deaf and out of touch," she set about extracting information from the relevant parties. The responses she received did very little to quell the furor.

First, there was the Times' culture editor, Danielle Mattoon. Mattoon said that three editors looked at Stanley's piece, and none of them raised objections.

“There was never any intent to offend anyone and I deeply regret that it did," she told Sullivan, adding that she felt the piece was largely "positive."

This reply drew a new round of scorn:

somehow the NYT's culture editor doesn't understand that Shonda piece was not "positive" http://t.co/myH6LbcRgF and THREE people read it

— shani (@shani_o) September 22, 2014

Then, Stanley—last seen offering a very brief defense of her work to BuzzFeed—got in touch. Here's how she put things:

In the review, I referenced a painful and insidious stereotype solely in order to praise Ms. Rhimes and her shows for traveling so far from it. If making that connection between the two offended people, I feel bad about that.

[...]

I didn’t think Times readers would take the opening sentence literally because I so often write arch, provocative ledes that are then undercut or mitigated by the paragraphs that follow.

That didn't help either:

Oh, and for good measure, Sullivan also noted that, out of twenty culture critics who work for the Times, "not one is black and only one is a person of color."

The Times has probably seen better days. As New Yorker critic Emily Nussbaum put it:

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