These Black artists are trailblazing new art and tech, giving us a glimpse of what the future holds.
Laughter, happiness and more are on display in Part Three of our virtual art exhibit featuring groundbreaking Black creators.
Animal Care Team Working Around the Clock to Nurse Premature Baby Hippo to Health at the Cincinnati Zoo
Cincinnati Zoo & Botanical Garden's two-day-old baby hippo, born six weeks early, is hanging in there. Her care team continues
I've returned a number of times to revisit the exhibit as, from an artist's perspective, it is fascinating to see works that are not finished offer insight into the artistic working process -- what the artist may have been thinking at that point in the painting.
Hans Ulrich Obrist is a curator and writer. He is the co-director of exhibitions and programs and the co-director of international projects at the Serpentine Galleries, London.
If you don't know that Susan Weiman is creative, all you have to do is look at her living room.
Final Days for John Singer Sargent: Portraits of Artists and Friends at The Metropolitan Museum of Art
The exhibit at the Metropolitan Museum of Art John Singer Sargent: Portraits of Artists and Friends is in its final days, ending October 4th. I was fortunate to be invited to give two talks during the exhibit examining Sargent's work from an artist perspective.
As Eden prepared to attend a conference on performance's intersection with visual art, MutualArt had the opportunity to ask her about her new position at DiverseWorks, her plans concerning funding and audience engagement and Katie Grinnan: Nocturnal Hologram, the first show she has curated for the space.
She speaks to us about the gallery, her curatorial goals and the concepts behind her recent and upcoming exhibitions at the gallery.
Two exhibits of my work, Oil and Water and Re/Viewing the American Landscape are currently on view at Blue Water Fine Arts in Port Clyde, Maine. I've been spending summers painting in Maine for close to forty years and exhibiting there for over thirty.