I've returned a number of times to revisit the exhibit as, from an artist's perspective, it is fascinating to see works that are not finished offer insight into the artistic working process -- what the artist may have been thinking at that point in the painting.

Hans Ulrich Obrist is a curator and writer. He is the co-director of exhibitions and programs and the co-director of international projects at the Serpentine Galleries, London.

If you don't know that Susan Weiman is creative, all you have to do is look at her living room.

The exhibit at the Metropolitan Museum of Art John Singer Sargent: Portraits of Artists and Friends is in its final days, ending October 4th. I was fortunate to be invited to give two talks during the exhibit examining Sargent's work from an artist perspective.

As Eden prepared to attend a conference on performance's intersection with visual art, MutualArt had the opportunity to ask her about her new position at DiverseWorks, her plans concerning funding and audience engagement and Katie Grinnan: Nocturnal Hologram, the first show she has curated for the space.

She speaks to us about the gallery, her curatorial goals and the concepts behind her recent and upcoming exhibitions at the gallery.