Claes Oldenburg MoMA Exhibit: 'The Street And The Store' Brings Pop Art Universe To Life (PHOTOS)

The Zany Universe of Pop Art King Claes Oldenburg
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Claes Oldenburg is best known for his absurd, cheeky depictions of everyday objects. The pop art king takes melting ice cream sundaes, safety pins and banana peels and transforms them into glossy monumental sculptures, interrupting our thoughts as we pass through parks and bustling intersections. With a heaping helping of vinyl or fabric, he creates the makings of his own cartoonish universe, one that's elevated public art to new, whimsical heights over the last few decades.

This month, a new exhibit at the Museum of Modern Art in New York is tackling Oldenburg's larger-than-life kitsch in a survey of two of his major works: "The Street" (1960) and "The Store" (1961-64). The separate, neatly packaged collections of smaller-scale works address everything from cigarettes and lingerie to hamburgers and candied apples, using cardboard, newspaper and plaster to turn mundane products into art.

In total, the exhibition will bring together more than 150 works of Oldenburg art, presented in the artist's signature installation format. If you are imagining a makeshift shop constructed on the floor of MoMA, you are probably not far from the truth, since the vintage version of "The Store" was in fact piled into a Manhattan storefront, displayed alongside a side that read "Everything must go."

Scroll through the slideshow below for a sneak peek at the upcoming show, and you can see more of his work, much of which was created with his wife and longtime creative partner, Coosje van Bruggen, on his website.

"Claes Oldenburg: The Street and The Store" will be on view at MoMA in New York from April 14–August 5, 2013.

Claes Oldenburg's 'The Street And The Store"
(01 of11)
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Claes Oldenburg (American, born Sweden 1929). Floor Cone (1962) in front of Dwan Gallery, Los Angeles, 1963. Oldenburg van Bruggen Studio. © Claes Oldenburg (credit:© Claes Oldenburg)
(02 of11)
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Claes Oldenburg (American, born Sweden 1929). Giant BLT (Bacon, Lettuce and Tomato Sandwich). 1963. Vinyl, kapok, and wood painted with acrylic. 32 x 39 x 29” (81.3 x 99.1 x 73.7 cm). Whitney Museum of American Art, New York. Gift of The American Contemporary Art Foundation, Inc., Leonard A. Lauder, President. © 1963 Claes Oldenburg. Photo: David Heald, Solomon R. Guggenheim Foundation (credit:© 1963 Claes Oldenburg. Photo: David Heald, Solomon R. Guggenheim Foundation)
(03 of11)
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Claes Oldenburg (American, born Sweden 1929). Mouse Museum. 1965 – 77. Wood and corrugated aluminum, plexiglas display cases with 385 objects, sound, 8′ 7 9/16″ x 31′ 5″ x 33′ 7/16″ (2.63 x 9.6 x 10.07 m). mumok museum moderner kunst stiftung ludwig wien. On loan from the Austrian Ludwig Foundation, since 1991. © 1965 – 77 Claes Oldenburg. Photo: mumok (credit:© 1965 – 77 Claes Oldenburg. Photo: mumok)
(04 of11)
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Claes Oldenburg (American, born Sweden 1929). Pastry Case, I, 1961-62. Painted plaster sculptures on ceramic plates, metal platter and cubs in glass-and-metal case. 20 3/4 x 30 1/8 x 14 3/4” (52.7 x 76.5 x 37.3 cm). The Museum of Modern Art, New York. The Sidney and Harriet Janis Collection. © 1961-62 Claes Oldenburg. Photo: MoMA Imaging Services (credit:© 1961-62 Claes Oldenburg. Photo: MoMA Imaging Services)
(05 of11)
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Claes Oldenburg (American, born Sweden 1929). Floor Burger.. 1962. Canvas filled with foam rubber and cardboard boxes, painted with acrylic paint. 52 x 84 x 84” (132.1 x 213.4 x 213.4 cm). Collection Art Gallery of Ontario, Toronto. Purchase, 1967. © 1962 Claes Oldenburg. Photo: Sean Weaver (credit:© 1962 Claes Oldenburg. Photo: Sean Weaver)
(06 of11)
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Claes Oldenburg (American, born Sweden 1929). Two Girls’ Dresses. 1961. Muslin soaked in plaster over wire frame, painted with enamel. 44 1/2 x 40 3/4 x 6” (113 x 103.5 x 15.2 cm). Private collection. © 1961 Claes Oldenburg. Photo: Gunter Lepkowski (credit:© 1961 Claes Oldenburg. Photo: Gunter Lepkowski)
(07 of11)
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Claes Oldenburg (American, born Sweden 1929). 7-Up. 1961. Enamel on plaster-soaked cloth on wire. 55 3/8 x 39 1/4 x 5 1/2” (140.7 x 99.7 x 14 cm). Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Joseph H. Hirshhorn Purchase and Bequest Funds, 1994. © 1961 Claes Oldenburg. Photo: Lee Stalsworth (credit:© 1961 Claes Oldenburg. Photo: Lee Stalsworth)
(08 of11)
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Claes Oldenburg (American, born Sweden 1929). C-E-L-I-N-E Backwards. 1959. Newspaper soaked in wheat paste over wire frame, painted with casein. 30 x 40 x 3” (76.2 x 101.6 x 7.6 cm). Glenstone © 1959 Claes Oldenburg (credit:© 1959 Claes Oldenburg)
(09 of11)
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Claes Oldenburg (American, born Sweden 1929). Street Head III (Profile with Hat). 1960. Burlap and newspaper, painted with casein. 76 x 46 x 7” (193 x 116.8 x 17.8 cm). Museum Ludwig Cologne. © 1960 Claes Oldenburg. Photo: Museum Ludwig Cologne, digital image © Rheinisches Bildarchive Köln (credit:© 1960 Claes Oldenburg. Photo: Museum Ludwig Cologne, digital image © Rheinisches Bildarchive Köln)
(10 of11)
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Claes Oldenburg (American, born Sweden 1929). Braselette. 1961. Muslin, plaster, chicken wire and enamel. 41 x 30 1/4 x 4” (104.1 x 76.8 x 10.2 cm). Whitney Museum of American Art, New York. Gift of Howard and Jean Lipman. © 1961 Claes Oldenburg. Photo: Douglas M. Parker Studios (credit:© 1961 Claes Oldenburg. Photo: Douglas M. Parker Studios)
(11 of11)
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Claes Oldenburg (American, born Sweden 1929). Ray Gun Poster. 1961. Spray oil wash on torn paper. 24 x 18” (61 x 45.7 cm). Collection of the artist. © 1961 Claes Oldenburg. Photo: D. James Dee (credit:© 1961 Claes Oldenburg. Photo: D. James Dee)

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