Cornel West Reflects On The 'Artistic Genius' Of John Coltrane's 'A Love Supreme'

Cornel West Reflects On The 'Artistic Genius' Of John Coltrane's 'A Love Supreme'
|

Fifty years ago, John Coltrane’s quartet entered the Van Gelder studio and created what many call his greatest work of all time. The four-part suite, which sold 500,000 copies, paid homage to black spirituality and marked a critical juncture in the artist’s struggle with substance abuse. Author Cornel West, Grammy-nominated saxophonist Archie Shepp, poet Stanley Crouch and many more joined HuffPost Live to discuss "A Love Supreme" and how Coltrane hit the undeniable crescendo of his career.

West discussed how Coltrane represented a true "moment" in the black tradition and imagined how the composer would respond to the progression of that tradition today. While West said Coltrane would "turn over in his gave" at the popularity of current "mediocre" music, there one thing the author is sure he would appreciate.

"If you really look at the deep expressions of humanity that [are] being expressed in [the album], Coltrane is a culminating moment," West said. "He smiles when he looks at Ferguson from the grave. He'd say, 'Aw, the young people are awakening.' That's what he says on the album: 'This is an expression of my spiritual awakening.'"

Check out the HuffPost Live conversation about Coltrane's classic album "A Love Supreme" above.

Sign up here for Live Today, HuffPost Live’s morning email that will let you know the newsmakers, celebrities and politicians joining us that day and give you the best clips from the day before!

Before You Go

Jazz '60
(01 of46)
Open Image Modal
Thelonious Monk, Milano, 1964 (credit:Courtesy Roberto Polillo)
(02 of46)
Open Image Modal
Elvin Jones, Milano, 1968 (credit:Courtesy Roberto Polillo)
(03 of46)
Open Image Modal
Sarah Vaughan, Lecco, 1967 (credit:Courtesy Roberto Polillo)
(04 of46)
Open Image Modal
John Coltrane, Milano, 1962 (credit:Courtesy Roberto Polillo)
(05 of46)
Open Image Modal
Lennie Tristano, Milano, 1965 (credit:Courtesy Roberto Polillo)
(06 of46)
Open Image Modal
- Ornette Coleman, Sanremo, 1966 (credit:Courtesy Roberto Polillo)
(07 of46)
Open Image Modal
Louis Armstrong, Juan-les-Pins, 1967 (credit:Courtesy Roberto Polillo)
(08 of46)
Open Image Modal
John Coltrane Quartet, (John Coltrane, McCoy Tyner, Jimmy Garrison, Elvin Jones), Milano, 1962 (credit:Courtesy Roberto Polillo)
(09 of46)
Open Image Modal
Paul Bley, Lugano, 1966 (credit:Courtesy Roberto Polillo)
(10 of46)
Open Image Modal
Roy Eldridge, Juan-les-Pins, 1964 (credit:Courtesy Roberto Polillo)
(11 of46)
Open Image Modal
Bill Evans, Milano, 1965 (credit:Courtesy Roberto Polillo)
(12 of46)
Open Image Modal
Duke Ellington, Milano, 1967 (credit:Courtesy Roberto Polillo)
(13 of46)
Open Image Modal
Count Basie, Zurigo, 1972 (credit:Courtesy Roberto Polillo)
(14 of46)
Open Image Modal
Stan Kenton, Milano, 1972 (credit:Courtesy Roberto Polillo)
(15 of46)
Open Image Modal
Gerry Mulligan, Montreux, 1979 (credit:Courtesy Roberto Polillo)
(16 of46)
Open Image Modal
Jon Hendricks e Annie Ross, Lugano, 1968 (credit:Courtesy Roberto Polillo)
(17 of46)
Open Image Modal
Kenny Drew, (sullo sfondo: Hank Mobley), Bologna, 1968 (credit:Courtesy Roberto Polillo)
(18 of46)
Open Image Modal
Eric Dolphy, Bologna, 1964 (credit:Courtesy Roberto Polillo)
(19 of46)
Open Image Modal
Art Farmer, Montreux, 1970 (credit:Courtesy Roberto Polillo)
(20 of46)
Open Image Modal
Bill Evans, Milano, 1965 (credit:Courtesy Roberto Polillo)
(21 of46)
Open Image Modal
Percy Heath, Milano, 1965 (credit:Courtesy Roberto Polillo)
(22 of46)
Open Image Modal
Keith Jarrett, Bologna, 1969 (credit:Courtesy Roberto Polillo)
(23 of46)
Open Image Modal
Charles Mingus, Milano, 1970 (credit:Courtesy Roberto Polillo)
(24 of46)
Open Image Modal
Buddy Tate (a sinistra) e Ben Richardson, Pescara, 1970 (credit:Courtesy Roberto Polillo)
(25 of46)
Open Image Modal
- Wayne Shorter, Sanremo, 1963 (credit:Courtesy Roberto Polillo)
(26 of46)
Open Image Modal
Jimmy Garrison, Juan-les-Pins, 1965 (credit:Courtesy Roberto Polillo)
(27 of46)
Open Image Modal
Miles Davis suona il sax scherzando con Arrigo Polillo, Milano, 1964 (credit:Courtesy Roberto Polillo)
(28 of46)
Open Image Modal
Woody Herman, Milano, 1969 (credit:Courtesy Roberto Polillo)
(29 of46)
Open Image Modal
Earl Hines, Milano, 1967 (credit:Courtesy Roberto Polillo)
(30 of46)
Open Image Modal
Coleman Hawkins, Milano, 1967 (credit:Courtesy Roberto Polillo)
(31 of46)
Open Image Modal
Archie Shepp, Bergamo, 1974 (credit:Courtesy Roberto Polillo)
(32 of46)
Open Image Modal
Don Cherry (a sinistra) e Sonny Rollins, Milano, 1963 (credit:Courtesy Roberto Polillo)
(33 of46)
Open Image Modal
Abbey Lincoln, Milano, 1964 (credit:Courtesy Roberto Polillo)
(34 of46)
Open Image Modal
Erroll Garner, Milano, 1971 (credit:Courtesy Roberto Polillo)
(35 of46)
Open Image Modal
Johnny Griffin, Bergamo, 1971 (credit:Courtesy Roberto Polillo)
(36 of46)
Open Image Modal
Steve Lacy, Sanremo, 1966 (credit:Courtesy Roberto Polillo)
(37 of46)
Open Image Modal
Dizzy Gillespie, Milano, 1967 (credit:Courtesy Roberto Polillo)
(38 of46)
Open Image Modal
Marion Williams, Juan-les-Pins, 1965 (credit:Courtesy Roberto Polillo)
(39 of46)
Open Image Modal
Shelly Manne, Pescara, 1970 (credit:Courtesy Roberto Polillo)
(40 of46)
Open Image Modal
Ella Fitzgerald, Milano, 1968 (credit:Courtesy Roberto Polillo)
(41 of46)
Open Image Modal
Miles Davis, Milano, 1964 (credit:Courtesy Roberto Polillo)
(42 of46)
Open Image Modal
Art Blakey con sua moglie, Milano, 1968 (credit:Courtesy Roberto Polillo)
(43 of46)
Open Image Modal
Dexter Gordon, Montreaux, 1970 (credit:Courtesy Roberto Polillo)
(44 of46)
Open Image Modal
Friedrich Gulda, Bergamo, 1972 (credit:Courtesy Roberto Polillo)
(45 of46)
Open Image Modal
Roscoe Mitchell, Bergamo, 1973 (credit:Courtesy Roberto Polillo)
(46 of46)
Open Image Modal
Phil Woods, Bergamo, 1970 (credit:Courtesy Roberto Polillo)