'Freeheld' Screenwriter Apologizes After Claiming His Film Was 'De-Gayed'

"God forbid, someone might think we were making a movie about a couple of dykes," Ron Nyswaner had said.
|

Ron Nyswaner, the Oscar-nominated screenwriter of " Freeheld," which centered on a real-life lesbian couple who won domestic partner rights in the years before marriage equality, has apologized after accusing the producers of "de-gaying" his movie in an awards ceremony speech.  

The limited-release "Freeheld," starring Julianne Moore and Ellen Page, received plenty of advance buzz, including a memorable Out magazine cover story, but reportedly raked in just $513,000 in its first weekend. 

Nyswaner, who received an Oscar nomination for 1993's "Philadelphia," seemed to attribute his latest movie's failure to the final cut being "normalized" and "de-gayed," The Hollywood Reporter reports. Although he did not mention "Freeheld" by name, Nyswaner described the work as featuring characters that were "turned into Lesbians with lower-case 'l'" in a Nov. 7 speech at the Vanguard Awards benefiting the Los Angeles LGBT Center, a snippet of which can be viewed above. 

"One of my recent gay-themed projects had a lot of potential. But the producers became fearful," Nyswaner, who is openly gay, said. "The gay characters were idealized. Their edges were smoothed out. The conflict between them was softened. Over my vigorous objections, by the way, for the record."

He then added, "God forbid, someone might think we were making a movie about a couple of dykes. Out of fear, they were normalized. We must remember, and insist that others honor, our history and our very specific gay culture."

Nyswaner concluded his speech by vowing to "create art in which gay characters are not normalized." 

On Wednesday, however, he apologized for the remarks in a statement released to The Hollywood Reporter, calling them "inaccurate and unfair."

"The producers never suggested that the characters should be anything but thoroughly and proudly gay," he clarified. "The movie is satisfying and beautiful in many ways, particularly in the performances of the leads. The script that made it to the screen is weaker than it ought to have been and for that I must accept responsibility."

"De-gayed" or not, "Freeheld" didn't leave much of an impression with the critics. The Guardian's Nigel M. Smith deemed the movie "an important civil rights story rendered lifeless" after its premiere at the 2015 Toronto Film Festival, while The Hollywood Reporter was slightly kinder, calling it "a well-intentioned crusade that could use more fire."  

Better luck next time, Ron! 

Also on HuffPost: 

Toronto Film Festival Preview 2015
Likely to Garner the Most Oscar Buzz: “The Danish Girl”(01 of12)
Open Image Modal

Not only is “The Danish Girl” prime awards bait because of the names attached -- director Tom Hooper and last year’s Best Actor Oscar winner, Eddie Redmayne -- but the film also brings transgender storytelling into the mainstream. Based on David Ebershoff's 2000 novel of the same name, “The Danish Girl” tells the story of transgender pioneer Lili Elbe, the first person to undergo successful gender confirmation surgery. Variety has already called Redmayne's portrayal as Elbe the greatest performance of his career, regardless of the controversy surrounding his casting. By the looks of the powerful trailer, it will surely be one of the most poignant historical dramas of the year, and one which gets this year’s breakout actress, Alicia Vikander, more acclaim. -- EW

(credit:Courtesy of TIFF)
Best Pairing: Drew Barrymore and Toni Collette in “Miss You Already”(02 of12)
Open Image Modal

How have these two not already shared the screen? Was it just our fan fiction where Barrymore appeared in “In Her Shoes” and Collette was part of “Boys on the Side?” Well, now is better than never, especially with Catherine Hardwicke (“Thirteen,” “Twilight”) at the helm. This dramedy looks at two lifelong best friends whose lives are interrupted when one of them is diagnosed with cancer. We are crying already. -- MJ

(credit:COURTESY OF TIFF)
Breakout Documentary: “Keith Richards: Under the Influence”(03 of12)
Open Image Modal

This year’s fest features a plethora of notable music docs, including Khalil Joseph’s “The Reflektor Tapes” about Arcade Fire, Amy Berg’s Janis Joplin doc, “Janis: Little Girl Blue,” and Barbara Kopple’s “Miss Sharon Jones!” (Sadly, the Aretha Franklin film “Amazing Grace” was pulled from the lineup.) But the one we’re really excited for is Morgan Neville’s “Keith Richards: Under the Influence.” Neville has already wowed us with his fantastic Oscar-winning doc “20 Feet From Stardom,” and now he’s focusing on the 71-year-old rock ‘n’ roll legend. The doc, which makes its world premiere at the festival before it debuts exclusively on Netflix later this month, follows the Rolling Stones guitarist as he works on his first solo album in two decades. As long as there’s a solid amount of guitar shredding, we’re in. -- EW

(credit:Courtesy of TIFF)
Must-See Literary Adaptation: "Room"(04 of12)
Open Image Modal
Emma Donoghue’s stunning 2010 novel all but begged for a film adaptation the moment it was published. And while the same may be said for Andy Weir’s sci-fi survival opus The Martian, J.G. Ballard’s twisty dystopia High Rise and Colm Tóibín’s coming-of-age drama Brooklyn, it’s Room that we’re most anxious to see on the big screen. The novel’s gripping first half, set exclusively inside a shed where a young mother and her son are held captive, promises one of the juiciest cinematic experiences this year. We’re also stumping for a major Brie Larson breakout and the Joan Allen comeback we’ve been anticipating for years. -- MJ (credit:Courtesy of TIFF)
Best Actress Double-Hitter: Helen Mirren in “Trumbo” & “Eye In the Sky”(05 of12)
Open Image Modal

Helen Mirren is bound to leave TIFF with a double-dose of awards-season buzz. The dame stars in Gavin Hood’s (“Ender’s Game”) “Eye In the Sky,” a military thriller about a drone operation. Mirren plays a colonel who learns that a British radical who's joined a Somali terrorist group is planning a chain of suicide attacks. But Mirren’s other highly anticipated role comes in the world premiere of Jay Roach’s “Trumbo,” about the blacklisted Hollywood screenwriter Dalton Trumbo (Bryan Cranston). Mirren portrays outspoken gossip columnist Hedda Hopper. You can’t go wrong with some modern-day warfare drama and Old Hollywood controversy. -- EW

(credit:Courtesy of TIFF)
Make-or-Break Performance: Johnny Depp, “Black Mass”(06 of12)
Open Image Modal

Johnny Depp built a career on character studies, but he appears to have traded in original storytelling for pirates, vampires, Mad Hatters and Tontos. Since “Transcendence” and “Mortdecai” did nothing to help his case, we’re putting a lot of stock in his portrayal of mobster Whitey Bulger, as directed by Scott Cooper (“Crazy Heart”). Depp seems to have disappeared behind the role, partly attributable to the novelty of seeing him don makeup that isn’t affiliated with a gaudy franchise. The first reviews out of the Venice and Telluride festivals signal an impending Deppsurgence, and we are on board. -- MJ

(credit:Courtesy of TIFF)
Film with the Most Political Weight: “Our Brand Is Crisis”(07 of12)
Open Image Modal

Sandra Bullock is heading to Bolivia to win an election. In David Gordon Green’s “Our Brand Is Crisis,” Bullock is “Calamity” Jane Bodine, an American campaign strategist who’s hired to help a politician win a presidential election. The dark comedy is loosely based on the real events behind former Bolivian president Gonzalo Sánchez de Lozada’s 2002 campaign and Rachel Boynton’s 2005 doc of the same name. What we’re most excited about, though, is what Bullock will bring to the role, which was originally written for George Clooney -- who’s producing -- until he decided to swap the gender for his “Gravity” co-star. Green’s film will likely ignite some political discussions, in addition to the other political standouts screening at the fest, including “Spotlight,” about The Boston Globe’s investigations around the Catholic Church’s sex-abuse scandal, and Robert Redford’s portrayal of Dan Rathers in “Truth." -- EW

(credit:Courtesy of TIFF)
Most Controversial: "Where To Invade Next"(08 of12)
Open Image Modal

This is a Michael Moore documentary with an incendiary-seeming title about war. Furthermore, “Where To Invade Next” remained a secret until it appeared on the TIFF lineup. Moore has since described it as a “comedy,” indicating the film offers a satirical look at the American military industrial complex’s “constant need to always have an enemy.” The inevitable jeremiad finds the director assuming the duties of the Pentagon, instructing the government on which terrain to pillage. We expect you’ll be hearing a lot about this one after it premieres. -- MJ

(credit:Courtesy of TIFF)
Young Breakout Actor: Abraham Attah, “Beasts of No Nation”(09 of12)
Open Image Modal

Every few years there’s a young breakout actor who catches our attention with a stunning first performance. Based on the charged trailers for “Beasts of No Nation,” the latest from “True Detective” Season 1 director Cary Fukunaga, newcomer Abraham Attah might be this year’s Quvenzhané Wallis. In the West African war drama, which will be Netflix’s first theatrical release, Attah plays Agu, a young boy separated from his family during a civil war and forced to join a crew of rebel soldiers. Idris Elba’s warlord teaches Agu the ways of survival, but we have a feeling that the young actor might steal the spotlight from his co-star. -- EW

(credit:Courtesy of TIFF)
About to Have A Moment: Tom Hiddleston(10 of12)
Open Image Modal

Loki is on the verge of something big. Plenty of people have multiple movies at TIFF this year, but something tells us we’ll be hearing Tom Hiddleston’s name a lot over the next few months. In addition to Guillermo del Toro’s non-TIFF horror romance “Crimson Peak,” which opens in October, Hiddleston will have two juicy titles at the festival. First up is “High-Rise,” in which he plays a doctor who moves into a secluded living community that seems ideal until violent tribes break out. And even buzzier is “I Saw the Light,” in which Hiddleston portrays country singer Hank Williams. We may have found our next great leading man, so prepare to hear his name mentioned a lot in the coming months. -- MJ

(credit:Courtesy of TIFF)
Breakout LGBT Film: “About Ray”(11 of12)
Open Image Modal

This year’s festival is full of films with LGBT-centric stories and characters. While most eyes are on Peter Sollett’s “Freeheld,” Tom Hooper’s “The Danish Girl” and Roland Emmerich’s “Stonewall,” there’s also Gaby Dellal’s “About Ray.” Dellal’s film stars Elle Fanning as Ray, a transgender teen in transition, Naomi Watts as Ray’s mother and Susan Sarandon as Ray’s lesbian grandmother. “About Ray” looks to be a promising addition to cinema’s growing dedication in telling transgender stories, especially ones about trans youth, which are largely lacking on the big screen. The trailer suggests the family dramedy will also be a lighter story in comparison to the more drama-heavy “Freeheld” and “Danish Girl.” -- EW

(credit:Courtesy of TIFF)
Most Enticing Biopic: "The Program"(12 of12)
Open Image Modal

Biopics are the name of the Oscar game, which means they’re also regularly stamped all over Toronto’s lineups. Last year, “Foxcatcher,” “The Imitation Game” and “The Theory of Everything” each went on to awards glory after TIFF. This year, Bryan Cranston plays blacklisted screenwriter Dalton Trumbo, Robert Redford channels a disgraced Dan Rather and Dev Patel stars as mathematician Srinivasa Ramanujan, along with several others mentioned elsewhere in this roundup. But we’re most anxious to see what Stephen Frears (“The Queen,” “Philomena”) will do with Lance Armstrong’s doping scandal. Ben Foster portrays the once-celebrated cyclist, with an impressive cast of supporting players that includes Lee Pace, Chris O’Dowd, Dustin Hoffman and Jesse Plemons. Just one question: Who’s playing Sheryl Crow? -- MJ

(credit:Courtesy of TIFF)

Our 2024 Coverage Needs You

As Americans head to the polls in 2024, the very future of our country is at stake. At HuffPost, we believe that a free press is critical to creating well-informed voters. That's why our journalism is free for everyone, even though other newsrooms retreat behind expensive paywalls.

Our journalists will continue to cover the twists and turns during this historic presidential election. With your help, we'll bring you hard-hitting investigations, well-researched analysis and timely takes you can't find elsewhere. Reporting in this current political climate is a responsibility we do not take lightly, and we thank you for your support.

to keep our news free for all.

Support HuffPost