Grandchildren And The 7 Pillars Of Mindfulness

I just finished eight days of watching grandchildren, three of which included having their Grandpa E along for the fun. Watching young children may present a few challenges for those who don't have this pleasure on a daily basis, but the positives of such a situation outweigh the negatives, by far.
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I just finished eight days of watching grandchildren, three of which included having their Grandpa E along for the fun. Watching young children may present a few challenges for those who don't have this pleasure on a daily basis, but the positives of such a situation outweigh the negatives, by far. And, as one who is accustomed to practicing mindfulness, it is amazing how these young children so easily live many of the practices Dr. Jon Kabat-Zinn, creator of Mindfulness-Based Stress Reduction (MBSR) at U Mass, called the Pillars of Mindfulness in his book Full Catastrophe Living.

BEGINNER'S MIND -- These children saw each experience as a new adventure and were able to experience the richness of the present moments and not take any event for granted. Once, their play involved a beetle they saw crawling along its merry way and each moment proved to be unique. Just as an open beginner's mind helps us be receptive to new possibilities and prevents us from getting stuck, it allowed the children to expand their thinking as they tried to imagine the beetle's experiences from moment to moment.

TRUST -- The children were able to extend beliefs of trust from one adult to the next, as caregivers changed along the way, as well as trust in themselves. A 3-year-old had the confidence that he was able to do what was asked of him when an adult fell sick, and had trust to believe that the adult sending him on a mission knew that of which he was capable. This child had also developed trust in himself and his abilities and feelings ... such an integral part of a mindfulness practice. He wasn't looking at what wasn't acceptable by the standards or norms of society; he simply believed in his abilities to succeed.

ACCEPTANCE -- The children saw things as they were in each present moment; again, an important part of mindfulness. They didn't typically waste time or energy on trying to deny or resist or force things to be the way they wanted, but I must admit that this is where some moments began to fall apart. Mommy does it this way, or Daddy says ... were common refrains. And the grandparent in charge was the one offering reminders that this moment, now, was the only time they had to accept ... until mommy or daddy arrived to say otherwise. They didn't have to like it or be passive, but they did have to be willing to see things as they were.

PATIENCE -- This concept became a big part of the daily experience as we all had to understand and accept that, sometimes, things must unfold by themselves. Whether from the viewpoint of an adult or child, patience was a necessity in adjusting to the habits of one another. And, just like with a wandering mind that seemed to "have a mind of its own", we each had to kindly and lovingly explain, and train, the other to be patient as we learned new practices.

NON-JUDGING -- It is common to find that judgment is a major part of our lives when we become mindful. By being aware of the automatic judgments we make, we can begin to free ourselves of their effects. With mindfulness, we simply observe our judgment and practice letting it go. This non-judging was essential throughout the days together. Nothing was a matter of being a good or bad practice; it was simply the current reality.

NON-STRIVING -- Meditation is about "non-doing" instead of doing. When you sit to meditate, you try to have no goal in mind. If you meditate with the intent of relaxation, pain control, or enlightenment, it can only bring more tension. Why am I not getting what I seek? This was a concept seen more often by a younger child than the older. That little one was striving to put blocks together, paint a certain way with a brush, or glue objects down on the paper; and, just like those striving for particular goals when meditating, she did become more and more frustrated. And, again, kindness and understanding were called for to relieve the frustration.

LETTING GO -- Our minds want to hold onto ideas. In meditation, we let go by coming back to the type of mindfulness that we are practicing. Mindful listening, mindful breathing, a body scan. Whatever it is that brings you to a peaceful and calm state.

What brings us to a place of peace and calm?

For my grandkids, it was cuddling during story time. For me, it was the peace and calm of listening to their breathing in tandem with mine.

Gifts of life ... and what might yours be?

Follow Dr. Wolbe on Facebook, LinkedIn, or her website.

Earlier on Huff/Post50:

Carole King
With Gerry (01 of10)
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"At fifteen, when I was a high school junior, I had come upon a drawing in True Story magazine of a young man with dark hair and dark eyes. It had so epitomized my ideal boyfriend that I cut it out and put it in my wallet. It was still there the day I met Gerry Goffin.In the fall of 1958, when Gerry was nineteen and I was sixteen, he was a night student at Queens College ... One afternoon, while studying for a test in the student union with my friend Dorothy, I was having trouble concentrating ... I was just putting away my books when the door opened and Gerry walked in. My heart stopped. He looked exactly like the drawing in my wallet."From A Natural Woman, by Carole King. © 2012 Eugenius, LLC. Reprinted by permission of Grand Central Publishing. All rights reserved (credit:From Collection Of Eugenia Gingold)
Studio, 1957 (02 of10)
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One day when King was 15 years old, disk jockey Alan Freed from WINS "told me to look in the phone book under 'Record Companies,' make an appointment, and play my songs for the A&R Man." The very next day, King took the express subway train to Manhattan, walked into Atlantic Records' offices unannounced, and asked if she could play her songs for someone. Moments later, she was performing for Atlantic's legendary founders Ahmet Ertegun and Jerry Wexler. "You got talent," declared Wexler, while Ertegun chimed in "Yeah, man, very soulful." From A Natural Woman, by Carole King. © 2012 Eugenius, LLC. Reprinted by permission of Grand Central Publishing. All rights reserved (credit:Michael Ochs Archives/Getty Images)
Studio With Paul Simon And Gerry(03 of10)
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"When I entered Queens College in the fall of 1958 I had no idea that Art Garfunkle and Paul Simon were anything other than fellow freshmen until I saw their photo in a magazine with a caption identifying Artie as 'Tom' and Paul as 'Jerry'...Paul and I soon became friends. Among the things we had in common were a similarity of age and a desire to stay involved in writing and recording popular music. Hoping to earn some extra cash, we began making demos together as the Cousins. Paul played bass and guitar, I played piano, we both sang. Some songs were his, some were mine, and some were written by other people. The income was negligible, but we would have done it for nothing."From A Natural Woman, by Carole King. © 2012 Eugenius, LLC. Reprinted by permission of Grand Central Publishing. All rights reserved (credit:Michael Ochs Archives/Getty Images)
With Lou Adler And Hank Cicalo At A&M Studios(04 of10)
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"People often ask if I knew, when I was recording Tapestry, that it would become one of the biggest-selling albums in popular music, or that it would touch so many people. How could I know that? I was simply doing what I'd always done -- recording songs that I had written or co-written ... If quality of songs and integrity of presentation were factors in Tapestry's success, so were the timing of its release, an extraordinary confluence of good luck, and the determination of Lou Adler to ensure that the album would be heard by as many people as possible."From A Natural Woman, by Carole King. © 2012 Eugenius, LLC. Reprinted by permission of Grand Central Publishing. All rights reserved (credit:From The Collection Of Lou Adler, Photo By Jim Crary)
Recording 'Tapestry' With Danny Kortchmar, Russ Kunkel, Charles Larkey And Ralph Schuckett(05 of10)
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"I didn't want to be a star ... Everyone around me thought I was out of my mind. I was being offered an opportunity for which so many people had been praying their whole life and all I could say was, 'Please believe me. I don't want to be a star.' My rationale was that I viewed success and stardom as two different things. Successful recording artists were played on the radio, were respected by the public, and had longevity. The songs they sang moved and inspired people. Stars were hounded and mobbed, their privacy was nonexistent, and they were under constant pressure to reach #1 and stay there...I didn't realize that I was expressing a guiding principle of my career. I was hoping for career longevity and to my utter amazement and eternal gratitude I achieved it. And if that weren't enough, one of my albums would actually reach #1 and stay there for a very long time. But Danny (Kortchmar) and I engaged in such conversations before Tapestry was released, when I had no way of knowing what my future held. I just wrote songs, worked hard, created each day's blueprint from scratch, and hoped to high heaven that I was doing all the right things to give my daughters and myself a good life."From A Natural Woman, by Carole King. © 2012 Eugenius, LLC. Reprinted by permission of Grand Central Publishing. All rights reserved (credit:Jim McCray/Redferns/Getty Images)
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Grammys, 1972(07 of10)
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"I attained the highest pinnacle of success to which a recording artist and songwriter could aspire: I was awarded four Grammys for my work on Tapestry ... (but) I didn't know what to do with my success. I didn't want the problems that came with being famous, and I didn't want my private life to be public. I just wanted to do what I'd been doing as a wife and mother ... I made clothes or everyone in the family, tended our small garden, and occasionally went to sushi lunch in Little Tokyo with my friend Stephanie. I taught at the Integral Yoga Institute and attended cooking classes at The Source. I continued to embarrass my Goffin daughters by bringing their vitamins to school. And I continued to bring home health food instead of the Cokes, Pepsis, and potato chips that Sherry wanted."From A Natural Woman, by Carole King. © 2012 Eugenius, LLC. Reprinted by permission of Grand Central Publishing. All rights reserved (credit:From The Collection Of Lou Adler, Photo By Jim Crary)
Homeschooling Levi, 1978(08 of10)
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King left the hustle and bustle of Los Angeles in the late '70s for the rural lifestyle of Idaho. For several years, King and her family lived in a cabin so remote that in the winter their only communication with the outside world was via something they called "ski-mail." King explains "visitors on cross-country skis brought our mail, and we sent mail out with them or other skiers ... We kept up with current events through a radio powered by two alternate twelve-volt car batteries that our neighbor periodically charged for us. In some ways our life at Burgdorf was complicated, but in other ways it was simple. Living this way brought everything down to basics."From A Natural Woman, by Carole King. © 2012 Eugenius, LLC. Reprinted by permission of Grand Central Publishing. All rights reserved (credit:From The Carole King Archives)
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"Over the seven decades of my life, my acts of giving back have included canvassing for civil rights in the 1960s, flipping burgers at a county fair, reading to children, reporting for a television news program on both the environment and illiteracy, and performing at benefits at locations ranging from grand hotel ballrooms to raise money for worthy causes to playing guitar on a flatbed trailer in a parking lot to raise money for a neighbor burned out of his home. But the project that has occupied literally half my time for over two decades has been educating staff, members of the United States Congress, and the public about the Northern Rockies Ecosystem Protection Act."From A Natural Woman, by Carole King. © 2012 Eugenius, LLC. Reprinted by permission of Grand Central Publishing. All rights reserved (credit:MCT/McClatchy-Tribune/Getty Images)
From The Collection Of Eugenia Gingold(10 of10)
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(credit:From The Collection Of Eugenia Gingold)