Pharrell's Adidas Holi Sneaker Collection Sparks Debate About Cultural Appropriation

Adidas says the collection is inspired by the "magic and beauty" of Holi, a Hindu spiritual festival.
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Pharrell Williams listens as Bollywood star Ranveer Singh and presenter Anusha Dandekar explain Holi, a Hindu spring festival.
adidas Originals/YouTube

American rapper and music producer Pharrell Williams visited India for the first time last week to promote a new collection of Adidas sneakers and clothing inspired by the Holi spring festival.

The Adidas “Hu Holi” collection includes sneakers, shirts, hoodies, and shorts that come in a variety of bright colors. The company says the collection drew its influence from the “magic and beauty” of Holi celebrations in India and Nepal. 

Yet while Williams did learn about the spiritual symbolism behind Holi during his trip, images of him looking slightly uncomfortable during the celebration coincided with accusations that Germany-based Adidas is commercializing a beloved Hindu tradition to sell shoes. 

Watch Pharrell Williams play Holi in the Adidas video below.

Some people pointed out that Adidas’ new collection seems to tread rather close to cultural appropriation: After all, a German company is using an American celebrity to sell $250 shoes that very explicitly use imagery from a Hindu celebration. 

And, as at least one person noted, it would be easy (and much cheaper) to get that same “Holi-inspired” look by wearing white shoes and clothes to a real Holi event.

Asked to respond to the critique that the collection is appropriating Holi, an Adidas spokesperson told HuffPost that “Hu was founded upon the principles of unity, equality, humanity, and color with an intention to explore humanity and celebrate diversity around the world. Together Adidas Originals and Pharrell Williams use the platform to help tell stories of others from around the globe.”

Suhag A. Shukla, executive director of the advocacy organization Hindu American Foundation, told HuffPost she believes Adidas is definitely commercializing a religious festival, but said calling it cultural appropriation might be a stretch. The company very openly acknowledges the Hindu foundations of the holiday, Shukla said, and Williams takes time to learn about the holiday firsthand from Hindus.

She believes other companies, like The Color Run, use Holi’s imagery but don’t give the festival enough credit.

“I don’t necessarily see a Holi themed sports apparel line any differently than products that might feature Christmas, Diwali, or Hanukkah,” Shukla told HuffPost. “If the usage is respectful and culturally appropriate with a solid nod to roots and meaning, there exists the potential to increase understanding and appreciation, and diversify fashion and beauty aesthetics.”

“Holi is a holiday in which differences are shed and are celebrated, and [Pharrell] seems to express a similar intent for his line,” she added.

Putting questions of corporate cultural appropriation aside, some Twitter users joked that the “Happy” singer didn’t appear too happy about participating in the joyous Hindu festival, which celebrates the triumph of good over evil. 

Ranveer Singh, a well-known Bollywood star who promotes Adidas in India, hosted a Holi event in Mumbai with Anusha Dandekar, a TV presenter, and explained Holi’s spiritual traditions and customs to Williams.

In an Adidas video of the event, Williams can be seen occasionally cracking a smile. But some Twitter users joked that he looked like he just wasn’t feeling the event, pointing out the stark contrast between Singh and Dandekar’s energy and laughter, and Williams’ stoic demeanor.

At one point, Singh showed off some dance moves. The crowd went wild for the actor, but when the camera pans over, viewers can see Williams watching the raucous party with the stiff smile of an awkward dinner guest.

Shukla of the Hindu American Foundation told HuffPost that when she saw the image of Williams at the Holi party, she saw someone who was “taking it all in.”

“I remember my first Holi in India. I probably had the same look on my face,” Shukla said. “Holi there is at once beautiful and overwhelming, and you better be ready to duck!”

In an interview with the Indian news channel NDTV, Williams praised India’s “incredible” and “fascinating” culture, and said he’s trying to learn more about the country. He said he knows about a couple of Hindu deities.

Williams said his goal promoting the Adidas collection is to “give diversity as many opportunities to present itself as possible.”

“Some of the most beautiful people on the planet are in my opinion from Africa and from India and there’s from light to dark, dark to light on both of those countries and they’re incredibly vivid human beings to begin with, but then their customs and the aesthetic of their customs are just as beautiful,” he said. “The Holi festival is the perfect example, people are literally throwing color around.” 

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Before You Go

Indian Art The Met
(01 of10)
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"Krishna Steals the Clothing of the Gopis (Cow Maidens)." Attributed to the artist known as the Early Master at the Court of Mandi. Probably an illustrated folio from a dispersed Bhagavata Purana (The Ancient Story of God) Punjab Hills, kingdom of Mandi, ca. 1640. Opaque watercolor and gold on paper; red border with white and black inner rules; painting 11 7/8 x 8 in. Promised Gift of the Kronos Collections, 2015. (credit:The Metropolitan Museum of Art)
(02 of10)
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"A Krishna and the Gopas (Cow Herders) Enter the Forest,"Possibly by Kota Master. Rajasthan, kingdom of Kota, ca. 1720, Opaque watercolor and gold on paper; red border with black-lined gold inner rule; painting 10 1/2 x 7 3/4 in. Promised Gift of the Kronos Collections, 2015. (credit:The Metropolitan Museum of Art)
(03 of10)
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"Krishna and the Gopas (Cowherders) Huddle in the Rain." Attributed to the artist known as the Master of the Swirling Skies (active second quarter of 18th century) Punjab Hills, kingdom of Jammu, ca. 1725–50. Opaque watercolor and silver (now tarnished) on paper; modern border; painting 8 3/8 x 5 7/8 in. Promised Gift of the Kronos Collections, 2015 (credit:The Metropolitan Museum of Art)
(04 of10)
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Ladies on a Terrace. Painted by the artist Ruknuddin (active ca. 1650–ca. 1697) Rajasthan, kingdom of Bikaner, dated 1675 Opaque watercolor, black ink, and gold on paper; wide light brown border with variously colored inner rules; painting 7 5/8 x 5 5/16 in. (19.4 x 13.5 cm), Promised Gift of the Kronos Collections, 2015 (credit:The Metropolitan Museum of Art)
(05 of10)
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"A Nobleman and His Devoted Wife Seated in the Forest; Two Female Musicians Attend." Illustrated folio probably from an unidentified nayaka-
nayika (hero-heroine) series Punjab Hills, kingdom of Basohli, ca. 1685. Opaque watercolor, gold, and applied beetle-wing cases on paper; wide red border with black, silver (now tarnished), and striated white inner rules; black outer rule (missing right corner of folio replaced); painting 6 11/16 x 11 in. Promised Gift of the Kronos Collections, 2015.
(credit:The Metropolitan Museum of Art)
(06 of10)
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"The Lovers Radha and Krishna in a Palm Grove." Illustrated folio from the dispersed "Second" or "Tehri Garhwal" Gita Govinda (Song of the Cowherds) Punjab Hills, kingdom of Kangra or Guler, ca. 1775–80. Opaque watercolor and gold on paper; red border decorated with gold arabesque, with black inner rules; painting 6 x 9 7/8 in. Promised Gift of the Kronos Collections, 2015 (credit:The Metropolitan Museum of Art)
(07 of10)
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"The Village Beauty." Probably painted by the artist Fattu (active ca. 1770–1820) Illustrated folio from the dispersed "Kangra Bihari" Sat Sai (Seven Hundred Verses) Punjab Hills, kingdom of Kangra, ca. 1785. Opaque watercolor, ink, and gold on paper; narrow yellow and white borders with black inner rules; dark blue spandrels decorated with gold arabesque; painting 7 3/8 x 5 3/16 in. Promised Gift of the Kronos Collections, 2015. (credit:The Metropolitan Museum of Art)
(08 of10)
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Blindman’s Buff: The Demon Pralambha Carries Balarama on His Shoulder. Illustrated folio from the dispersed "Isarda" Bhagavata Purana (The Ancient Story of God) North India, probably Delhi-Agra region, ca. 1560–65. Opaque watercolor on paper; yellow and pink border with variously colored rules; Promised Gift of the Kronos Collections. (credit:The Metropolitan Museum of Art)
(09 of10)
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"Hide-and-Seek: Krishna Playing a Game with the Gopas (Cowherds)" Ascribed to the artist Manaku (ca. 1700–ca. 1760) Punjab Hills, kingdom of Guler, ca. 1750–55. Opaque watercolor, ink, and gold on paper; narrow dark blue border (probably trimmed); painting 9 5/8 x 6. Promised Gift of the Kronos Collections, 2015. (credit:The Metropolitan Museum of Art)
(10 of10)
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"Krishna Swallows the Forest Fire." Attributed to the Master at the Court of Mankot (active ca. 1690–1730). Illustrated folio from the dispersed “Upright” Bhagavata Purana (The Ancient Story of God) Punjab Hills, kingdom of Mankot, early 18th century. Opaque watercolor, gold, and silver (now tarnished) on paper; wide red border with white and black inner rules; painting 9 x 6 3/16 in. Promised Gift of the Kronos Collections, 2015 (credit:The Metropolitan Museum of Art)