The True Cost Of Printing In Comic Sans Is As Horrifying As You'd Imagine

Little printing choices can have a big impact on our environment AND our wallets.
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Most of us spend more time thinking about our left earlobe than how we're laying out a document on Microsoft Word. Professional printers, however, would like you to know that the process of committing those words to paper goes far beyond pressing a button. Paper weight, typeface, margin size and a lot of other deceptively tiny decisions have got to be made by somebody.

Many times, that somebody is an experienced designer. But since most of us also have to print things off now and again, the folks at Pixartprinting, an online printing service, created an infographic to explain the impact of even seemingly trivial choices, like using Comic Sans. Sure, we know that you know better than to use Comic Sans in settings outside of a lemonade stand. But did you know it also uses more ink than respectable typefaces? Or that British English speakers, despite their darling accents, waste a lot more trees with their spellings?

The result of Pixartprinting's efforts is a lesson in mindful use of our planet's resources -- as well as an argument against Comic Sans. Take a look below to see how the little printing choices we make can add up in a big way.


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Before You Go

'LetterScapes'
NYC MANHOLE COVERS, LAWRENCE WEINER(01 of10)
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Nineteen manhole covers were installed in New York City by the Public Art Fund in collaboration with the Consolidated Edison Company and the Roman Stone. Photo Credit: Kirsten Vibeke Thueson WeinerFrom LetterScapes by Anna Saccani (Thames & Hudson, May 2013) (credit:Kirsten Vibeke Thueson Weiner)
LITTLE SPARTA, IAN HAMILTON FINLAY(02 of10)
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From LetterScapes by Anna Saccani (Thames & Hudson, May 2013)Photo Credit: Courtesy of the Archive of Ian Hamilton Finlay and Sam Rebben (credit:Courtesy of the Archive of Ian Hamilton Finlay and Sam Rebben)
HOUSE OF TERROR MUSEUM, ATTILA F. KOVACS(03 of10)
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Photo Credit: Attila F. KovacsFrom LetterScapes by Anna Saccani (Thames & Hudson, May 2013) (credit:Attila F. Kovacs)
BRITISH LIBRARY GATES, CARDOZO KINDERSLEY WORKSHOP(04 of10)
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Details of the ‘lettergrid’ that makes up the gates of the British Library.Photo Credit: Gianluca BalzeranoFrom LetterScapes by Anna Saccani (Thames & Hudson, May 2013) (credit:Gianluca Balzerano)
BARCINO, JOHN BROSSA(05 of10)
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The arrangement of Brossa’s individual sculptures in front of the original Roman walls.Photo Credit: Ruben Cruz VegasFrom LetterScapes by Anna Saccani (Thames & Hudson, May 2013) (credit:Ruben Cruz Vegas)
WELLINGTON WRITERS WALK, CATHERINE GRIFFITHS(06 of10)
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From LetterScapes by Anna Saccani (Thames & Hudson, May 2013)Photo Credit: Jason Busch (credit:Jason Busch)
BRITISH LIBRARY GATES, CARDOZO KINDERSLEY WORKSHOP(07 of10)
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Gates constructed from letterforms grant entry to one of the world’s great temples of learning. Photo Credit: Carlos Santos ArmendarizFrom LetterScapes by Anna Saccani (Thames & Hudson, May 2013) (credit:Carlos Santos Armendariz)
LOVE , ROBERT INDIANA(08 of10)
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The evolution of Robert Indiana’s idea from art piece, to public installation, to Pop icon.Photo credit: John DoeFrom LetterScapes by Anna Saccani (Thames & Hudson, May 2013) (credit:John Doe)
9 WEST 57TH STREET, CHERMAYEFF & GEISMAR(09 of10)
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The curve of the skyscraper suggested the idea of a launching pad with the installation sliding down it and landing on the pavement.Photo Credit: Michele BruniFrom LetterScapes by Anna Saccani (Thames & Hudson, May 2013) (credit:Michele Bruni)
MARION CULTURAL CENTRE, ASHTON RAGGATT MCDOUGALL(10 of10)
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A symbolic integration of architecture and lettering creates a landmark for a growing community.Photo Credit: Peter Bennetts, Courtesy of the Ashton Raggatt McDougall ArchitectureFrom LetterScapes by Anna Saccani (Thames & Hudson, May 2013) (credit:Peter Bennetts, Courtesy of the Ashton Raggatt McDougall Architecture)