Harry Potter and the Philosopher's Stone by JK Rowling(01 of37)
Open Image ModalJK Rowling on writing(02 of37)
Open Image Modal"...I wrote the book... in snatched hours, in clattering cafés or in the dead of night. For me, the story of how I wrote Harry Potter and the Philosopher's Stone is written invisibly on every page, legible only to me. Sixteen years after it was published, the memories are as vivid as ever as I turn these pages."
More notes on JK Rowling's copy of Harry Potter(03 of37)
Open Image ModalHilary Mantel's Wolf Hall(04 of37)
Open Image ModalHilary Mantel on one of her inspirations(05 of37)
Open Image Modal"Torture was not legal in England except when a royal warrant permitted it. It may have been used off-the-record and informally... It does tell us TC was prepared to use torture; and I wish those who maintain I have softened his character would take note of this..."
Hilary Mantel's annotated cast list(06 of37)
Open Image ModalMatilda by Roald Dahl(07 of37)
Open Image ModalQuentin Blake's annotations in Matilda(08 of37)
Open Image ModalBridget Jones's Diary by Helen Fielding(09 of37)
Open Image ModalFielding on writing notes(10 of37)
Open Image Modal"mmm. Hungry now. Bored by writing notes. Slightly puffed up by thoughts of PEN people reading notes, rather as if I am Ernest Hemingway or something, though obviously not dead."
Helen Fielding on the final section title(11 of37)
Open Image ModalThe Blind Assassin by Margaret Atwood(12 of37)
Open Image ModalMargaret Atwood's notes(13 of37)
Open Image Modal"The cover image is from a Saturday Evening Post cover of 1934. The model was a real debutante, as was the habit then. We tried to blondify the hair, but it looked too much like a bathing cap."
Fear and Loathing in Las Vegas(14 of37)
Open Image ModalSome of the new illustrations in this edition created by Ralph Steadman(15 of37)
Open Image ModalSome of the new illustrations in this edition created by Ralph Steadman(16 of37)
Open Image ModalSome of the new illustrations in this edition created by Ralph Steadman(17 of37)
Open Image ModalEats, Shoots and Leaves(18 of37)
Open Image ModalInevitably (19 of37)
Open Image ModalRosencrantz and Guildenstern are Dead by Tom Stoppard(20 of37)
Open Image ModalTom Stoppard makes fresh cuts(21 of37)
Open Image Modal"...my first editions contain lines from which I have to avert my eyes, e.g. on p49 – horrible! There are lines I don’t recognise at all... and some I cut if I'm involved in rehearsals... Nowadays one can use previews, like editing in cinema, but R and G opened the day after dress rehearsal."
Tom Stoppard's fresh edits(22 of37)
Open Image ModalLife of Pi(23 of37)
Open Image ModalYann Martel on the first line of Life of Pi(24 of37)
Open Image Modal"Never liked this first line. For starters, it should have been 'This book was born BECAUSE I was hungry,' and even that isn’t a great line."
A tiger's bowl?(25 of37)
Open Image ModalKnots & Crosses by Ian Rankin(26 of37)
Open Image ModalRankin on early Rankin(27 of37)
Open Image Modal"Not a great simile; overwrought. My prose these days is a lot leaner. There’s too much of the Eng. Lit. class about some of the writing here."
Rankin on his use of language(28 of37)
Open Image ModalAmsterdam by Ian McEwan(29 of37)
Open Image ModalIan McEwan's notes on the writing of Amsterdam(30 of37)
Open Image Modal"Subtitle in first draft was 'The Spoiler' – given to me by [his wife] Annalena, then given back for her to use for her first novel."
Ian McEwan on the opening line of Amsterdam(31 of37)
Open Image ModalSchinder's Ark by Thomas Keneally (later made into a movie as Schindler's List)(32 of37)
Open Image ModalKeneally looks back at his writing(33 of37)
Open Image Modal"As I’ve notated this work I have been overwhelmed by its drama and terror and ambiguities. It defies belief. But the tale still stands, unchallenged."
Thomas Keneally on his use of language(34 of37)
Open Image ModalFever Pitch by Nick Hornby(35 of37)
Open Image ModalHornby is "still proud of that comma"(36 of37)
Open Image ModalHornby looking back(37 of37)
Open Image Modal"How different this book would be, if I were to write it now! Except, of course, I couldn’t write it now, I’m too old... I’m too old to care about these things as much as I did then. Life and jobs and children and all sorts of things get in the way now. I'm not disowning the book – I'm very proud of it. I'm just saying that it's a young man's book, which is why it worked."