Rare Marilyn Monroe Photos Show Icon As You've Never Seen Her Before (PHOTOS)

Marilyn Monroe stands alone as a photographic subject for two reasons - visual transformation (her metamorphosis) and inner projection (her charisma).
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There are more books on Marilyn Monroe than any other woman in history. An American icon, certainly - she now belongs to the world. Her private life in particular has been approached from every conceivable angle. The book that I put together tries to avoid that by celebrating the public Marilyn. It pictorially chronicles her evolving beauty and style over the twenty years of her life, from 1942 to 1962.

It wasn't easy to do.

Editing her extraordinary body of photographic work down to one 320 page book was an enormous task. Marilyn posed for almost every major photographer in the world. Not only that, she pretty much said "No" to nobody. So if you were on the street with a brownie box camera, and you politely asked to take her photo, chances are she would say "Yes," AND she would take direction - "new" photos are continually surfacing. I also felt a big responsibility when editing out many of them. I wanted to give a wide range of diversity to the choices featured while trying to keep in mind what Marilyn may have wanted, as she was highly critical of herself.

Marilyn Monroe stands alone as a photographic subject for two reasons - visual transformation (her metamorphosis) and inner projection (her charisma). She was a very pretty woman of course, but she wasn't what you would call a traditional beauty. She didn't have a long neck or perfect symmetry or particularly strong bone structure. Her beauty was more subtle, but the way she was able to project that beauty - especially on screen or in a still photograph - was absolutely dynamic.

Her features and the line of her face translate almost like caricature on film. They're very defined and easily processed by the viewer and therefore make for an indelible vision. She was also very clever at being able to change the way she looked in a photograph using different makeup, almost like an artist would paint a canvas. Some photographers have said they were underwhelmed when first meeting her, but then as soon as she got in front of the camera an unexplainable change took place. Eve Arnold remembers she was the only person she ever worked with who photographed ten pounds lighter, which is against every rule in photography.

Some of her strongest images are the candids taken by anonymous news photographers. It is here, in a street-level environment without the benefit of studio props or stage lighting that you really get an idea of how spectacularly she read on film. Her image explodes. She is flawless. She makes every photograph a work of art simply by being in it.

The reason we are still fascinated with Marilyn almost half a century after her death is because of her films and the thousands of wonderful photographs she left behind. Her porcelain face looking back at us from countless posters, calendars, coffee mugs and mouse pads, we take comfort in such nostalgia. Also, her life is inspiring to many.

I certainly don't think it's fair that she be seen as a tragic figure. She started out with less than most, had a dream and then worked extremely hard to make it happen - and she did make it happen. That alone has to be admired.

Marilyn
(01 of09)
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"She was awkward. She couldn't get out of her own way. She wasn't disciplined, and she was often late..." -Barbara Stanwych (Costar, "Clash by Night," 1952)Photo by John Florea, 1951 (Reproduced with permission of Melanie and Gwen Florea).
(02 of09)
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"At first she knew nothing about carriage, posture, walking, sitting, or posing. She started out with less than any girl I ever knew, but she worked the hardest...." -Emmeline Snively (Head of the Blue Book Modeling Agency)Photo by Andre de Dienes, 1945 (Reproduced with permission of Chuck Murphy. One West Publishing. www.1westpublishing.com).
(03 of09)
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"She was very shy, and I remember that when the studio workers would whistle at her, it seemed to embarrass her." - Cary Grant (Costar, "Monkey Business," 1952)Grand Marshal of the Miss America pageant. Atlantic City, New Jersey, September 2, 1952 (Sabin Gray collection).
(04 of09)
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"The change in her was breathtaking. It was made even more startling because Marilyn had just lost twenty-five pounds. She had never been so slim and glowing." -Jean Louis (Costume Designer, "Something's Got to Give, 1963)Something's Got to Give costume test, April 10, 1962 (author's collection).
(05 of09)
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"She was a wonderful comedienne, and she had a charisma like no one before or since....Marilyn had kind of a built-in alarm system. It would 'go off' in the middle of a scene if that scene was not right for her, and she would just stop everything..." -Jack Lemmon (Costar, "Some Like It Hot," 1959)Some Like It Hot, 1959. Photo by Richard C. Miller.
(06 of09)
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"I don't know if high society is different in other cities, but in Hollywood important people can't stand to be invited someplace that isn't full of other important people." -Marilyn MonroeWith Nancy and Ronald Reagan at Charles Coburn's birthday party. June 17, 1953 (author's collection).
(07 of09)
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"She had flesh which photographed like flesh. You feel you can reach out and touch it." -Billy Wilder (Director, "The Seven Year Itch," 1956)The Seven Year Itch, 1955. Photo by Kas Heppner (author's collection).
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"Marilyn came dressed in a body stocking covered with sequins, which looked as if they were just stuck to her skin because the net was flesh color." -Dr. Mathilde Krim (Scientist and founder of amfAR)Arriving at Madison Square Garden to sing "Happy Birthday" to President Kennedy, New York City, May 19, 1962 (author's collection).
(09 of09)
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"She was not the usual movie idol. There was something democratic about her. She was the type who would join in and wash up the supper dishes even if you didn't ask her." -Carl Sandburg (Writer and poet)Photo by Douglas Kirkland. COPYRIGHT Douglas Kirkland 1961. Reproduced with permission.

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