Outdoor Public Art to See Now (PHOTOS)

Explore 10 of the coolest outdoor public artworks on view now, from New York to Chicago to Seattle.
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Once upon a time, public art meant bronze or marble war memorials, and landscaped public plazas were their settings. The works, often tied to important events, were expected to remain in place forever.

Nowadays, new materials and methods are allowing for bigger and brighter (and some might say gaudier) art. Budgets have increased as the art world has become a global business, allowing for sculptures that take armies to create and for high-tech systems that intensify and multiply effects.

Also multiplying are the possible locations--places like highway underpasses, billboards, country roads and grassy nooks in public parks. And yet, many new artworks aren’t designed to stay put: Some are world travelers, having already been exhibited in places like Hong Kong and Basel, Switzerland.

Explore 10 of the coolest outdoor public artworks on view now, from New York to Chicago to Seattle. —Fred Bernstein

Outdoor Art to See Now (PHOTOS)
Split-Rocker by Jeff Koons(01 of07)
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Jeff Koons is king right now, as his much-talked-about retrospective at the Whitney Museum of American Art proves (945 Madison Ave.; whitney.org). But it’s New York’s Rockefeller Center, itself a kind of museum of decorative arts, that has the most visible of his works around: The larger-than-life Split-Rocker, a composite of two children’s rockers (one a pony, the other a dinosaur) covered in some 50,000 flowers (it has its own internal irrigation system), now sits in place of its annual Christmas tree. The massive work is a cousin of Koons’s Puppy piece, which occupied the same spot in front of 30 Rock in 2000 (the same year Split-Rocker made its debut in Avignon, France). Call it Rocker-feller center. Through September 12; between 49th and 50th Sts. and Fifth and Sixth Aves.; gagosian.com.© Jeff Koons. Courtesy Gagosian Gallery. Photography by Tom Powel Imaging
Tokyo Brushstroke I & II by Roy Lichtenstein(02 of07)
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The Parrish Art Museum in New York’s Southampton opened its new building designed by the Swiss architects Herzog & de Meuron in 2012. Years later the structure’s muted palette seems to have warranted just a little bit of added color. Who better to provide it than Roy Lichtenstein, the Pop artist who also had a long relationship with the museum? Installed in April 2014, his pair of permanent aluminum sculptures Tokyo Brushstroke I & II (the former clocking in at 33 feet) add towering swaths of yellow, red, black and white to the surrounding pastoral landscape. The artist described them as an ironic look at the contradiction between monumentality and the ephemeral nature of painting; we think they make a lively complement to the expansive scene. 279 Montauk Highway; 631-283-2118; parrishart.org. © Roy Lichtenstein's Tokyo Brushstroke I & II installed on the front lawn of the Parrish Art Museum. Photo by Jeff Heatley.
"1004 Portraits" by Jaume Plensa(03 of07)
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Jaume Plensa is best known in the United States for his monumental Crown Fountain at Millennium Park—a water tower on which the faces of 1,000 ordinary Chicagoans are projected, and every so often appear to spit. To mark the tenth anniversary of the Crown Fountain in June of this year, Plensa (who is Spanish) gave the park four more monumental heads in his temporary exhibition “1004 Portraits.” The largest, a white resin sculpture titled Looking Into My Dreams, Awilda, stands 39 feet tall. The quartet will resume traveling the world in early 2016. Next stop, Easter Island? Through December 2015; 201 E. Randolph St.; 312-742-1168; cityofchicago.org.© City of Chicago
Wildlife Sanctuary by Dan Havel(04 of07)
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Residents of Houston Heights may have wondered why a slate roof had landed in the neighborhood’s grassy esplanade on April 4 of this year, but as seven other sculptures populated the area, the full scene began to take shape: This was a work of art. Dan Havel’s Wildlife Sanctuary, which also contains about 40 pounds of birdseed and a sloping steeple, is just one of the pieces gallerist Gus Kopriva has positioned around the neighborhood as part of the exhibition “True North.” The steeple was reclaimed from a local church damaged by lightning, linking the new work to the neighborhood’s past. Through November 4; Houston Heights Blvd. (700 block); redbudgallery.com.© gary griffin
Cocoon by Joe O’Connell, Blessing Hancock and Nina Borgia-Aberle(05 of07)
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Artists Joe O’Connell, Blessing Hancock and Nina Borgia-Aberle designed Cocoon as a stainless steel, LED-lit evocation of nature. Installed along a bike and pedestrian pathway on the outskirts of Tucson in April, the 38-foot-long sculpture is meant to be immersive and interactive—something to walk under, ride through and marvel at. By night, the lights cast an eerie glow along a road that boasts very little else in sight. Houghton Rd., south of Drexel Rd.; jbpublicart.com.© Joe O'Connell
Symbiosis by Roxy Paine(06 of07)
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Brooklyn artist Roxy Paine is moving into superstar territory—already his treelike sculptures crafted out of stainless steel have been exhibited on the roof of the Museum of Modern Art in New York and in front of Crystal Bridges, Alice Walton’s encyclopedic museum of American art in Bentonville, Arkansas. In May, another one of his shiny, organic-inspired creations, Symbiosis, was planted for more of the public to witness. Now visitors to Philadelphia’s Iroquois Park can behold a 34-foot tall, three-and-a-half-ton sculpture of two trees engaged in a delicate, and reciprocal, balancing act. Through June 2015; Benjamin Franklin Pkwy. at 24th St.; associationforpublicart.org.Image Courtesy of the Artist
Sky Feeder by Teresa Stern(07 of07)
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Every year since 2009, Seattle art fans get the chance to wander through Carkeek Park to marvel at art that, fittingly, references nature: “eco-artworks,” the exhibition organizers call them. (The show, presented by the Center on Contemporary Art, is called “Heaven and Earth.”) One of this year’s standouts, installed earlier this summer, is Teresa Stern’s Sky Feeder: 238 round mirrors, mounted on dowels (like flowers on stems), facing the sky. The mirrors, arranged in concentric circles, step down toward the center of the formation, creating a sloping reflecting pool that, the artist says, “gathers in the sky.” Through October 20; 950 NW Carkeek Park Rd.; heavenandearthexhibition.org.© Teresa Stern

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