Kenan and Kel (1996-2000)(01 of14)
Open Image ModalThere really should be a remake of "Kenan and Kel" ASAP! Positive, young and funny black males are almost non-existent on TV today. -- Amber Ferguson, politics video editor (credit:Archive Photos via Getty Images)
The O.C. (2003-2007)(02 of14)
Open Image ModalFirefly (2002-2003)(03 of14)
Open Image ModalDo I have to be the first one to say "Firefly?" I'd love to see what could be done in 2015 with the show on a Netflix-sized budget and a proper series order! -- Chris McGonigal, photo editor (credit:20th Century Fox Television)
Recess (1997-2001)(04 of14)
Open Image ModalI used to watch it every Saturday morning faithfully. It would be interesting to see how kids today interact in the age of social media, technology, etc. -- Phil Lewis, editorial fellow (credit:Disney)
Looking (2014-2015)(05 of14)
Open Image ModalHaters gonna hate, but I firmly believe "Looking" didn't get a fair shake before it was prematurely canceled by HBO. I loved its quieter tone, which spoke to me more than any other gay-themed TV series did before. Netflix would be a much more appropriate home for a series that got absolutely no credit for portraying gay men as more complex than their white, waxed and chiseled stereotype, and featured storylines about PrEP and serodiscordant couples. #TeamRichie for life. -- Curtis M. Wong, senior gay voices editor (credit:HBO)
Static Shock (2000-2004)(06 of14)
Open Image ModalPlease remake "Static Shock," one of the only cartoons with a black superhero lead that I could watch on Saturdays as a kid. The show also dealt with real-world issues, like bullying, school shootings and racism. -- Phil Lewis, editorial fellow (credit:Cartoon Network)
The West Wing (1999-2006)(07 of14)
Open Image ModalPlease remake "The West Wing." Except just pick up where it left off. "The West Wing," Season 8: Streaming On Netflix Soon. -- Carina Kolodny, director of multimedia platforms (credit:Warner Bros. via Getty Images)
Taina (2001-2002)(08 of14)
Open Image ModalPlease remake "Taina." It was one of the first teen sitcoms to feature a Latino (Puerto Rican) family in a positive, non-stereotypical light. It was the first time I saw myself reflected in the mainstream media. It only lasted one season, but it'll live in my heart forever! -- Tanisha Ramirez, Latino voices editor (credit:Nickelodeon)
The Angry Beavers (1997-2001)(09 of14)
Open Image ModalBecause you can't have "Zombeavers" on Netflix and not "Angry Beavers." -- Tyler R. Kingkade, senior editor/reporter (credit:Nickelodeon)
Gossip Girl (2007-2012)(10 of14)
Open Image ModalRemake "Gossip Girl," because what is life without Chuck Bass and hearing him like every other episode say, "I'm Chuck Bass." P.S. Serena and Blair were the ultimate BFF goals. -- Shonitria Anthony, voices news editor (credit:James Devaney via Getty Images)
Rocko's Modern Life (1993-1996)(11 of14)
Open Image ModalBeast Wars: Transformers (1996-1999)(12 of14)
Open Image ModalPlease remake "Beast Wars!" It was the best incarnation ever of the Transformers saga. Optimus Prime was such a badass gorilla. -- Alexander C. Kaufman, business editor (credit:Hasbro)
Jericho (2006-2008)(13 of14)
Open Image ModalThe premise showed a lot of promise: There's a nuclear attack on a number of U.S. cities and the residents of Jericho, Kansas, are left to deal with the aftermath. But then they cast Skeet Ulrich as the lead and invested like nothing in making the dialogue tolerable. (The only exception was the amazing Lennie James, who should be kept in a reboot.) I don't think they even finished the second season because it was so bad. But there were a lot of good ideas here! -- Kate Sheppard, senior reporter/energy and environment editor (credit:CBS Photo Archive via Getty Images)
The Greatest American Hero (1981-1983)(14 of14)
Open Image ModalSome superheroes are getting multiple reboots, while the greatest American superhero gets nothing. A clever reboot that plays on the themes of responsibility, power, and personal expectations, while treating the superhero genre with a mix of reality and humor would definitely be binge-worthy. The bar for incorporating special effects is also a lot lower now than it was in the early '80s. -- Victor Brand, standards editor (credit:Wikimedia Commons)