Real Magic Went Into Making 'The Huntsman' Costumes

Colleen Atwood orchestrated a global effort to create those unbelievable dresses for Charlize Theron.
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"The Huntsman"

When watching movies that take place in a mythical world, it can be hard to remember that someone in our real world had to create the unfamiliar yet beautiful costumes. A powerful wizard or queen emerges in a vibrant gold dress and your brain thinks the outfit must have materialized from magic. But the creation of these storybook textiles takes practically Herculean work by actual humans.

Academy Award-winning costume designer Colleen Atwood is typically the person for such a job. The Huffington Post spoke with her in connection with the Blu-ray and DVD release of “The Huntsman: Winter’s War.”  

Atwood created the extensive costuming for “The Huntsman,” which came out earlier this year, as well as for its predecessor, “Snow White and the Huntsman.” For both movies, she had to make multiple, nearly impossible dresses for Charlize Theron’s character, Queen Ravenna. In “Snow White,” Atwood somehow made Theron a dress with thousands of beetle wings miraculously attached together.

The dress that rivaled that level of craftsmanship in “The Huntsman” was a golden dress Theron wore as her character emerged through a mirror. “It took a long time,” said Atwood. “It took like four weeks to make one dress for three people [working on it].”

Due to the particular gold color required for Theron’s dress, Atwood had to get creative with the materials. “I ended up finding silver leather that I could cut in strips and then stain gold, so it looked more like an old mirror that had gone gold,” explained Atwood. “It was an interesting discovery process, the actual costume is one of my favorites that I’ve ever made.”

 

Two costumes by Atwood:

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Emily Blunt and Charlize Theron in "The Huntsman: Winter's War."
"The Huntsman"

Creating the costumes for the movie ended up being a global challenge. Atwood described the coordination nightmare:

“I had my own workroom, inside that I ran with two cutters and then I [tasked] some of the stuff to a workroom in Italy that I was familiar with from other projects. And then I had a huge room of really amazing crafts people that did all the leather work. Then, if I had like kind of cut-and-sewn clothes that were more like what the young Huntsmen kids wore, I would do samples in my shop and then have those go out to outside vendors, which happened to be people that are generally in the U.K. [and] Eastern Europe. Sometimes India or Indian-based factories in England.”

Atwood concluded, “So, it’s kind of like you have a lot of tentacles out there, [for] everything [to get] ready in time. You can’t just do it in one space.” 

The labor behind these costumes undoubtedly took a toll, but the end products certainly seem like a bit of real-life magic.

 

Check out Theron’s various dresses in the trailer below:

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Before You Go

Short Stories Adapted Into Movies
“Arrival” by Ted Chiang(01 of16)
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Chiang's award-winning short story takes a more intimate angle on the alien invasion narrative, focusing on a scientist tasked with communicating with extraterrestrial interlopers and the philosophical and emotional questions ultimately raised by her work. (credit:Small Beer, Paramount)
“Eisenheim the Illusionist” by Steven Millhauser(02 of16)
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It may be surprising to learn that "The Illusionist," a rather conventional film in which a dashing magician competes with a nobleman for the woman he loves, was originally based on a short story by one of our oddest, eeriest contemporary short fiction writers. Millhauser's "Eisenheim the Illusionist" lacks the romantic angle, compiling more of a semi-mythologized portrait of the stage magician. It makes for a decidedly less straightforward experience. (credit:Poseidon, Yari)
“The Sentinel” by Arthur C. Clarke(03 of16)
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With apologies to Clarke, who has said the story "bears about as much relation to the movie as an acorn to the resultant full-grown oak," "The Sentinel" was the seed of this classic film. For "2001," Clarke and Kubrick used modified elements of the story, which is about an alien artifact left on the moon, as well certain ideas from other stories. (credit:IBooks, MGM)
“The Birds” by Daphne du Maurier(04 of16)
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Daphne du Maurier and Alfred Hitchcock are like the literary and cinematic sides of the same terrifying artistic coin, so when they worked together, it was a beautiful thing. If you've never read the original story upon which Hitchcock's "The Birds" was based, do it now -- and never look at birds the same way again. (credit:Virago, Universal Pictures)
“In a Grove” by Ryunosuke Akutagawa(05 of16)
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Akutagawa also wrote a short story called "Rashomon," from which Kurosawa drew certain elements of his film classic of the same name. The meat of the movie, though, is based on another of his short stories, called "In a Grove," which relates three unreliable narratives surrounding the death of a samurai. (credit:Tuttle)
“The Bear Came Over the Mountain” by Alice Munro(06 of16)
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The Nobel Prize–winning Munro has won acclaim for her short fiction that can seem at odds with the quietness of her stories, which typically focus on domestic dramas and women's daily lives. "Away From Her" successfully turned one of her most poignant stories, about an older couple dealing with the wife's Alzheimers and the husband's history of infidelity, into a lovely film -- but that's no excuse to skip the original. (credit:Knopf, Lionsgate)
“The Secret Life of Walter Mitty” by James Thurber(07 of16)
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Ben Stiller's film adaptation of this classic Thurber tale received tepid reactions from audiences and critics alike, but his passion for translating that story to film was thoroughly covered at the time. "Walter Mitty," which tells the story of a repressed, thwarted man who finds escape through elaborately vivid daydreams, might just sit better on the page than the screen. (credit:Penguin, 20th Century Fox)
“Three-Ten to Yuma” by Elmore Leonard(08 of16)
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Sure, we all love watching Crowe and Bale flex their manly muscles in a setting that's 100 percentappropriate. But Elmore Leonard? That guy's the real classic. (credit:HarperCollins, Lionsgate)
“Brokeback Mountain” by Annie Proulx(09 of16)
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Before there were Heath and Jake, there was just Annie Proulx's precise prose on a page. (credit:Fourth Estate, Focus Features)
“The Minority Report” by Philip K. Dick(10 of16)
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What's better than "Minority Report" starring Tom Cruise? "Minority Report" without Tom Cruise. Dick's unsettling story is somehow darker, more thought-provoking, and unputdownable. (credit:Citadel, DreamWorks)
“The Curious Case of Benjamin Button” by F. Scott Fitzgerald(11 of16)
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That book cover really says it all, no? This story is so bizarre that it stretches credulity that Fitzgerald wrote it and Brad Pitt starred in a movie about it, but both of those things happened. But while the movie is something of a dramatic, star-crossed romance, the short story is hilariously grim about the realities of an aging-backwards lifestyle. (credit:Penguin, Paramount)
“Rita Hayworth and Shawshank Redemption” by Stephen King(12 of16)
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If you ever watched "The Shawshank Redemption" and thought, I wish this were a short story written by a really gifted author, your wish had already come true. The film is actually quite faithfully based on King's novella. (credit:Viking, Columbia)
“Memento Mori” by Jonathan Nolan(13 of16)
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The short story, first published in Esquire in 2001, was written by Jonathan Nolan. Before he finished working on the story, however, he pitched the idea to his brother, Christopher, as a movie. One Nolan made the movie, "Memento," and the other finished the short story, both from the same concept. The film has a memorable visual style, but it's well worth reading an artful prose exploration of the theme as well. (credit:Esquire, Summit)
“The Fly” by George Langelaan(14 of16)
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"The Fly" is an objectively horrifying movie, and it's based on a disturbing short story originally published in Playboy. The story version features a wife put in a mental institution after she apparently murders her own husband with a hydraulic press -- but did it have something to do with an odd-looking fly her son later saw in the house, and some odd experiments her late husband was conducting in his laboratory? (credit:Playboy, 20th Century Fox)
“It Had to Be Murder” by Cornell Woolrich(15 of16)
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"It Had to Be Murder," published by pulp fiction author Woolrich in 1942, has been so thoroughly eclipsed by the movie adaptation, "Rear Window," that the story is typically packaged under that name now. (credit:Amereon, Paramount)
“Secretary” by Mary Gaitskill(16 of16)
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Behind the sadomasochistic love story of "Secretary," starring Maggie Gyllenhaal and James Spader, there's a far less optimistic short story by the brilliant Gaitskill. In the story, the titular secretary, a rather dysfunctional young woman with a controlling family, finds herself sucked into a sexual relationship with her exploitative boss. Not many happy endings, except maybe of the more tawdry type. (credit:Simon and Schuster, Lionsgate)