RoboCop -- the remake of Paul Verhoeven's politically acerbic, wildly satiric, and operatically violent science fiction action film -- is much better. How much better, though, is open for debate. While celebrating Brazilian director José Padilha's success in updating the tale of a noble cop killed in the line of duty who's transformed into an indomitable crime-fighting cyborg and literal corporate tool, the Cinefantastique team of Steve Biodrowski, Lawrence French, and I differ on how well this new version addresses its social issues and political commentary. Bottom line: We're much happier debating the degree of goodness of a truly good film than hashing over how much a misfire sucks rubber donkey lungs.
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